en to en_GB translation catalogue (631 entries)

en: Defines in which way the selected tags are combined to filter the images. This also includes the '%1' check box.
en_GB: Defines in which way the selected tags are combined to filter the images. This also includes the '%1' tick box.

[ctx: @action:inmenu Pluralized]
en: Move to Trash | Move %1 Files to Trash
en_GB[0]: Move to Wastebin
en_GB[1]: Move %1 Files to Wastebin

en: Initializing...
en_GB: Initialising...

en: <p>The ICC profiles folder seems to be invalid.</p><p>If you want to try setting it again, choose "Yes" here, otherwise choose "No", and the "Color Management" feature will be disabled until you solve this issue.</p>
en_GB: <p>The ICC profiles folder seems to be invalid.</p><p>If you want to try setting it again, choose "Yes" here, otherwise choose "No", and the "Colour Management" feature will be disabled until you solve this issue.</p>

en: Opening Download Dialog...
en_GB: Opening Download Dialogue...

en: You have chosen a bright color scheme. We switch to a dark icon theme. The icon theme is available after a restart of digiKam.
en_GB: You have chosen a bright colour scheme. We switch to a dark icon theme. The icon theme is available after a restart of digiKam.

en: You have chosen a dark color scheme. We switch to a bright icon theme. The icon theme is available after a restart of digiKam.
en_GB: You have chosen a dark colour scheme. We switch to a bright icon theme. The icon theme is available after a restart of digiKam.

[ctx: @info: setup]
en: Initializing Main View...
en_GB: Initialising Main View...

[ctx: @action: setup]
en: Recognize Faces
en_GB: Recognise Faces

[ctx: @action: Non-pluralized]
en: Move to Trash
en_GB: Move to Wastebin

[ctx: @action: setup]
en: Move to trash without confirmation
en_GB: Move to wastebin without confirmation

[ctx: @action: setup]
en: Color-Managed View
en_GB: Colour-Managed View

[ctx: go to next image]
en: Forward
en_GB: Forwards

en: Face recognition is aborted, because there are no identities to recognize. Please add new identities.
en_GB: Face recognition is aborted, because there are no identities to recognise. Please add new identities.

[ctx: @info]
en: Online help about trash-bin
en_GB: Online help about wastebin

en: Restore only the last entry in the trash-bin.
en_GB: Restore only the last entry in the wastebin.

en: Restore selection of files from the trash-bin.
en_GB: Restore selection of files from the wastebin.

en: Remove permanently the items selection or all items from the trash-bin.
en_GB: Remove permanently the items selection or all items from the wastebin.

en: Versionning: add support of JPEG-XL, HEIF, WEBP, and AVIF as lossless image format to store versionned images in editor.
en_GB: Versioning: add support of JPEG-XL, HEIF, WEBP, and AVIF as lossless image format to store versioned images in editor.

en: Metadata: optimize layout of Metadata Edit plugin for a better usability.
en_GB: Metadata: optimise layout of Metadata Edit plugin for a better usability.

en: Add Spellcheck config panel in Settings/Miscellaneous for digiKam and Showfoto.
en_GB: Add Spellcheck configuration panel in Settings/Miscellaneous for digiKam and Showfoto.

en: Add Localize config panel in Settings/Miscellaneous for digiKam and Showfoto.
en_GB: Add Localise configuration panel in Settings/Miscellaneous for digiKam and Showfoto.

en: Allow to use Global or Customized Image Quality Sorting settings everywhere.
en_GB: Allow to use Global or Customised Image Quality Sorting settings everywhere.

en: Add Icon-View settings to customize Labels visibility over thumbnails.
en_GB: Add Icon-View settings to customise Labels visibility over thumbnails.

en: Queue Manager: add new tool to assign rating, pick, and color labels in batch.
en_GB: Queue Manager: add new tool to assign rating, pick, and colour labels in batch.

en: Update G'MIC-Qt tool to last version 3.2.2 and finalize MacOS port and improve stability of plugin.
en_GB: Update G'MIC-Qt tool to last version 3.2.2 and finalise MacOS port and improve stability of plugin.

en: digiKam is an open source photo management program designed to import, organize, enhance, search and export your digital images to and from your computer.
en_GB: digiKam is an open source photo management program designed to import, organise, enhance, search and export your digital images to and from your computer.

[ctx: @title: tableview]
en: Color label
en_GB: Colour label

[ctx: @info: tableview]
en: Color label
en_GB: Colour label

[ctx: @info: tableview]
en: Gray
en_GB: Grey

en: Color mode
en_GB: Colour mode

en: Digitization date/time
en_GB: Digitisation date/time

en: Normalize
en_GB: Normalise

en: Equalize
en_GB: Equalise

[ctx: @title]
en: Color Auto-Correction
en_GB: Colour Auto-Correction

[ctx: @info]
en: A tool to fix colors automatically
en_GB: A tool to fix colours automatically

[ctx: @info]
en: <para>This Batch Queue Manager tool can adjust colors automatically from images.</para>
en_GB: <para>This Batch Queue Manager tool can adjust colours automatically from images.</para>

[ctx: @info]
en: A tool to mix color channel
en_GB: A tool to mix colour channel

[ctx: @info]
en: <para>This Batch Queue Manager tool can mix color channels from images.</para>
en_GB: <para>This Batch Queue Manager tool can mix colour channels from images.</para>

en: Color Balance
en_GB: Colour Balance

en: Adjust color balance.
en_GB: Adjust colour balance.

[ctx: @title]
en: Color Balance
en_GB: Colour Balance

[ctx: @info]
en: A tool to adjust color balance
en_GB: A tool to adjust colour balance

[ctx: @info]
en: <para>This Batch Queue Manager tool can adjust color balance from images.</para>
en_GB: <para>This Batch Queue Manager tool can adjust colour balance from images.</para>

en: Convert color depth from 16 to 8 bits.
en_GB: Convert colour depth from 16 to 8 bits.

[ctx: @info]
en: A tool to convert color depth to 8 bits
en_GB: A tool to convert colour depth to 8 bits

[ctx: @info]
en: <para>This Batch Queue Manager tool can convert image color depth to 8 bits.</para>
en_GB: <para>This Batch Queue Manager tool can convert image colour depth to 8 bits.</para>

[ctx: @info]
en: A tool to convert color depth to 16 bits
en_GB: A tool to convert colour depth to 16 bits

[ctx: @info]
en: <para>This Batch Queue Manager tool can convert images color depth to 16 bits.</para>
en_GB: <para>This Batch Queue Manager tool can convert images colour depth to 16 bits.</para>

[ctx: @info]
en: A tool to adjust color curves
en_GB: A tool to adjust colour curves

[ctx: @info]
en: <para>This Batch Queue Manager tool can adjust the color curves from images.</para>
en_GB: <para>This Batch Queue Manager tool can adjust the colour curves from images.</para>

[ctx: @title]
en: Color Profile Conversion
en_GB: Colour Profile Conversion

[ctx: @info]
en: A tool to convert images to a color space
en_GB: A tool to convert images to a colour space

[ctx: @info]
en: <para>This Batch Queue Manager tool can convert images to a different color space.</para>
en_GB: <para>This Batch Queue Manager tool can convert images to a different colour space.</para>

[ctx: @title]
en: Invert Colors
en_GB: Invert Colours

[ctx: @info]
en: A tool to invert image colors
en_GB: A tool to invert image colours

[ctx: @info]
en: <para>This Batch Queue Manager tool can invert colors from images.</para>
en_GB: <para>This Batch Queue Manager tool can invert colours from images.</para>

en: <b>If conversion to PNG fails, this may be due to the color profile check. Simply insert the tool for color profile conversion before this tool and select the desired color profile.</b>
en_GB: <b>If conversion to PNG fails, this may be due to the colour profile check. Simply insert the tool for colour profile conversion before this tool and select the desired colour profile.</b>

en: Check this if you want the watermark to use the given size of the font or the image without any adjustment to the actual image.
en_GB: Tick this if you want the watermark to use the given size of the font or the image without any adjustment to the actual image.

en: Check this if you want the watermark to ignore its own aspect ratio and use the image's aspect ratio instead.
en_GB: Tick this if you want the watermark to ignore its own aspect ratio and use the image's aspect ratio instead.

en: Check this if you want watermark to be transparent.
en_GB: Tick this if you want watermark to be transparent.

en: Set the font color to use here.
en_GB: Set the font colour to use here.

en: Font color:
en_GB: Font colour:

en: Check this if you want a background fill behind the text.
en_GB: Tick this if you want a background fill behind the text.

en: Choose the color of the watermark background.
en_GB: Choose the colour of the watermark background.

en: Background color:
en_GB: Background colour:

en: Randomize watermark orientation (Enabled in "Random Repetition" mode only)
en_GB: Randomise watermark orientation (Enabled in "Random Repetition" mode only)

[ctx: @item: placement position]
en: Center
en_GB: Centre

[ctx: @item: placement position]
en: Top center
en_GB: Top centre

[ctx: @item: placement position]
en: Bottom center
en_GB: Bottom centre

[ctx: @info]
en: <para>This Batch Queue Manager tool remove or add vignettings to images.</para>
en_GB: <para>This Batch Queue Manager tool remove or add vignetting to images.</para>

[ctx: @info]
en: A tool to fix automatically lens artifacts
en_GB: A tool to fix automatically lens artefacts

[ctx: @info]
en: <para>This Batch Queue Manager tool can fix automatically lens artifacts over images.</para>
en_GB: <para>This Batch Queue Manager tool can fix automatically lens artefacts over images.</para>

en: Reduce JPEG Artifacts
en_GB: Reduce JPEG Artefacts

[ctx: @title]
en: Color Effects
en_GB: Colour Effects

[ctx: @info]
en: A tool to apply color effects
en_GB: A tool to apply colour effects

[ctx: @info]
en: <para>This Batch Queue Manager tool can apply color effects over images.</para>
en_GB: <para>This Batch Queue Manager tool can apply colour effects over images.</para>

en: Color Label:
en_GB: Colour Label:

[ctx: @info]
en: <para>This Batch Queue Manager tool will assign rating, or color, or pick label metadata values to images.</para>
en_GB: <para>This Batch Queue Manager tool will assign rating, or colour, or pick label metadata values to images.</para>

[ctx: @info]
en: <para>This Batch Queue Manager tool can translate alternative language strings in Xmp metadata from images.</para>
en_GB: <para>This Batch Queue Manager tool can translate alternative language strings in XMP metadata from images.</para>

[ctx: @info]
en: A tool to resize images with a customized length
en_GB: A tool to resize images with a customised length

[ctx: @info]
en: This library is available on your system with a maximum color depth support of %1 bits.
en_GB: This library is available on your system with a maximum colour depth support of %1 bits.

[ctx: @info]
en: This library is available on your system but is not able to encode image with a suitable color depth.
en_GB: This library is available on your system but is not able to encode image with a suitable colour depth.

en: <p>Chroma subsampling reduces file size by taking advantage of the eye's lesser sensitivity to color resolution. How perceptible the difference is depends on the image - large photos will generally show no difference, while sharp, down-scaled pixel graphics may lose fine color detail.</p><p><b>4:4:4</b> - No chroma subsampling, highest quality but lowest compression.</p><p><b>4:2:2</b> - Chroma halved horizontally, average compression, average quality.</p><p><b>4:2:0</b> - Chroma quartered in 2x2 blocks, high compression but low quality.</p><p><b>4:1:1</b> - Chroma quartered in 4x1 blocks, high compression but low quality.</p><p><b>Note: JPEG always uses lossy compression.</b></p>
en_GB: <p>Chroma sub sampling reduces file size by taking advantage of the eye's lesser sensitivity to colour resolution. How perceptible the difference is depends on the image - large photos will generally show no difference, while sharp, down-scaled pixel graphics may lose fine colour detail.</p><p><b>4:4:4</b> - No chroma sub sampling, highest quality but lowest compression.</p><p><b>4:2:2</b> - Chroma halved horizontally, average compression, average quality.</p><p><b>4:2:0</b> - Chroma quartered in 2x2 blocks, high compression but low quality.</p><p><b>4:1:1</b> - Chroma quartered in 4x1 blocks, high compression but low quality.</p><p><b>Note: JPEG always uses lossy compression.</b></p>

[ctx: @info]
en: <para>This plugin allows users to load and save image using Libjasper codec</para><para>The JPEG (Joint Photographic Experts Group) 2000 standard, finalized in 2001, defines a image-coding scheme using state-of-the-art compression techniques based on wavelet technology. Its architecture is useful for many diverse applications, including image archiving, security systems, digital photography, and medical imaging.</para><para>See <a href='https://en.wikipedia.org/wiki/JPEG_2000'>Joint Photographic Experts Group documentation</a> for details.</para>
en_GB: <para>This plugin allows users to load and save image using Libjasper codec</para><para>The JPEG (Joint Photographic Experts Group) 2000 standard, finalised in 2001, defines a image-coding scheme using state-of-the-art compression techniques based on wavelet technology. Its architecture is useful for many diverse applications, including image archiving, security systems, digital photography, and medical imaging.</para><para>See <a href='https://en.wikipedia.org/wiki/JPEG_2000'>Joint Photographic Experts Group documentation</a> for details.</para>

[ctx: @info]
en: <para>This plugin allows users to load and save image using Libraw codec.</para><para>A camera raw image file contains minimally processed data from the image sensor of either a digital camera, a motion picture film scanner, or other image scanner. Raw files are not yet processed and therefore are not ready to be printed or edited with a bitmap graphics editor. RAW are processed by a raw converter in a wide-gamut internal color space where precise adjustments can be made before conversion to a TIFF or JPEG for storage, printing, or further manipulation. This often encodes the image in a device-dependent color space.</para><para>See <a href='https://en.wikipedia.org/wiki/Raw_image_format'>Raw Image File documentation</a> for details.</para>
en_GB: <para>This plugin allows users to load and save image using Libraw codec.</para><para>A camera raw image file contains minimally processed data from the image sensor of either a digital camera, a motion picture film scanner, or other image scanner. Raw files are not yet processed and therefore are not ready to be printed or edited with a bitmap graphics editor. RAW are processed by a raw converter in a wide-gamut internal colour space where precise adjustments can be made before conversion to a TIFF or JPEG for storage, printing, or further manipulation. This often encodes the image in a device-dependent colour space.</para><para>See <a href='https://en.wikipedia.org/wiki/Raw_image_format'>Raw Image File documentation</a> for details.</para>

[ctx: @info]
en: This Image Editor tool can adjust the color curves from image.
en_GB: This Image Editor tool can adjust the colour curves from image.

en: All channels shadow tone color picker
en_GB: All channels shadow tone colour picker

en: With this button, you can pick the color from the original image used to set <b>Shadow Tone</b> input levels on the Red, Green, Blue, and Luminosity channels.
en_GB: With this button, you can pick the colour from the original image used to set <b>Shadow Tone</b> input levels on the Red, Green, Blue, and Luminosity channels.

en: All channels middle tone color picker
en_GB: All channels middle tone colour picker

en: With this button, you can pick the color from the original image used to set <b>Middle Tone</b> input levels on the Red, Green, Blue, and Luminosity channels.
en_GB: With this button, you can pick the colour from the original image used to set <b>Middle Tone</b> input levels on the Red, Green, Blue, and Luminosity channels.

en: All channels highlight tone color picker
en_GB: All channels highlight tone colour picker

en: With this button, you can pick the color from the original image used to set <b>Highlight Tone</b> input levels on the Red, Green, Blue, and Luminosity channels.
en_GB: With this button, you can pick the colour from the original image used to set <b>Highlight Tone</b> input levels on the Red, Green, Blue, and Luminosity channels.

[ctx: @info]
en: A tool to adjust color levels
en_GB: A tool to adjust colour levels

[ctx: @info]
en: This Image Editor tool can adjust the color levels from image.
en_GB: This Image Editor tool can adjust the colour levels from image.

en: <b>Auto Levels</b>:<p>This option maximizes the tonal range in the Red, Green, and Blue channels. It searches the image shadow and highlight limit values and adjusts the Red, Green, and Blue channels to a full histogram range.</p>
en_GB: <b>Auto Levels</b>:<p>This option maximises the tonal range in the Red, Green, and Blue channels. It searches the image shadow and highlight limit values and adjusts the Red, Green, and Blue channels to a full histogram range.</p>

en: <b>Normalize</b>:<p>This option scales brightness values across the active image so that the darkest point becomes black, and the brightest point becomes as bright as possible without altering its hue. This is often a "magic fix" for images that are dim or washed out.</p>
en_GB: <b>Normalise</b>:<p>This option scales brightness values across the active image so that the darkest point becomes black, and the brightest point becomes as bright as possible without altering its hue. This is often a "magic fix" for images that are dim or washed out.</p>

en: <b>Equalize</b>:<p>This option adjusts the brightness of colors across the active image so that the histogram for the value channel is as nearly as possible flat, that is, so that each possible brightness value appears at about the same number of pixels as each other value. Sometimes Equalize works wonderfully at enhancing the contrasts in an image. Other times it gives garbage. It is a very powerful operation, which can either work miracles on an image or destroy it.</p>
en_GB: <b>Equalise</b>:<p>This option adjusts the brightness of colours across the active image so that the histogram for the value channel is as nearly as possible flat, that is, so that each possible brightness value appears at about the same number of pixels as each other value. Sometimes Equalise works wonderfully at enhancing the contrast in an image; other times it produces terrible output. It is a very powerful operation, which can either work miracles on an image or destroy it.</p>

[ctx: @info]
en: This Image Editor tool can adjust colors automatically from image.
en_GB: This Image Editor tool can adjust colours automatically from image.

[ctx: @action]
en: Color Auto-Correction...
en_GB: Colour Auto-Correction...

[ctx: @info]
en: This Image Editor tool can mix color channels from image.
en_GB: This Image Editor tool can mix colour channels from image.

[ctx: @info]
en: This Image Editor tool can adjust color balance from image.
en_GB: This Image Editor tool can adjust colour balance from image.

[ctx: @action]
en: Color Balance...
en_GB: Colour Balance...

[ctx: @info]
en: This Image Editor tool can convert image color depth to 8 bits.
en_GB: This Image Editor tool can convert image colour depth to 8 bits.

[ctx: @info]
en: This image is already using a depth of 8 bits / color / pixel.
en_GB: This image is already using a depth of 8 bits / colour / pixel.

[ctx: @info]
en: Performing this operation will reduce image color quality. Do you want to continue?
en_GB: Performing this operation will reduce image colour quality. Do you want to continue?

[ctx: @info]
en: This Image Editor tool can convert image color depth to 16 bits.
en_GB: This Image Editor tool can convert image colour depth to 16 bits.

[ctx: @info]
en: This image is already using a depth of 16 bits / color / pixel.
en_GB: This image is already using a depth of 16 bits / colour / pixel.

en: Color Negative Film
en_GB: Colour Negative Film

en: Input range of red color channel.
en_GB: Input range of red colour channel.

en: Input range of green color channel.
en_GB: Input range of green colour channel.

en: Input range of blue color channel.
en_GB: Input range of blue colour channel.

en: Check to apply the built-in color balance of the film profile. Un-check if you want to apply color balance yourself.
en_GB: Tick to apply the built-in colour balance of the film profile. Untick if you want to apply colour balance yourself.

en: White point color picker
en_GB: White point colour picker

en: With this button, you can pick the color of the orange mask of the scanned color negative. It represents white point of the negative, or the darkest black tone of the positive image after inversion. It is also the reference point for applying the film profile.
en_GB: With this button, you can pick the colour of the orange mask of the scanned colour negative. It represents white point of the negative, or the darkest black tone of the positive image after inversion. It is also the reference point for applying the film profile.

en: Move the slider to higher values until maximum brightness is achieved without clipping any color channel. Use the output histogram to evaluate each channel.
en_GB: Move the slider to higher values until maximum brightness is achieved without clipping any colour channel. Use the output histogram to evaluate each channel.

[ctx: @title]
en: Color Negative Film
en_GB: Colour Negative Film

[ctx: @info]
en: A tool to emulate color negative film
en_GB: A tool to emulate colour negative film

[ctx: @info]
en: This Image Editor tool can emulate color negative film from image.
en_GB: This Image Editor tool can emulate colour negative film from image.

[ctx: @action]
en: Color Negative...
en_GB: Colour Negative...

[ctx: @info]
en: This Image Editor tool can invert colors from image.
en_GB: This Image Editor tool can invert colours from image.

en: Current Color Space:
en_GB: Current Colour Space:

en: Color Profile Conversion
en_GB: Colour Profile Conversion

[ctx: @info]
en: A tool to convert image to a color space
en_GB: A tool to convert image to a colour space

[ctx: @info]
en: This Image Editor tool can convert image to a different color space.
en_GB: This Image Editor tool can convert image to a different colour space.

[ctx: @action]
en: Color Spaces
en_GB: Colour Spaces

[ctx: @action]
en: Color Space Converter...
en_GB: Colour Space Converter...

[ctx: @info]
en: This image is not color managed.
en_GB: This image is not colour managed.

[ctx: @action]
en: Color Management is disabled...
en_GB: Colour Management is disabled...

en: Align text to center
en_GB: Align text to centre

[ctx: font color]
en: Color:
en_GB: Colour:

en: Set here the font color to use.
en_GB: Set here the font colour to use.

en: Add a solid border around text using current text color
en_GB: Add a solid border around text using current text colour

en: A percent of 0 has no effect, values above 0 represent a factor for mixing the destination color with source color this is done radially i.e. the inner part of the brush radius is totally from source and mixing with destination is done gradually till the outer part of the circle.
en_GB: A percent of 0 has no effect, values above 0 represent a factor for mixing the destination colour with source colour this is done radially i.e. the inner part of the brush radius is totally from source and mixing with destination is done gradually till the outer part of the circle.

[ctx: @info]
en: A tool to fix image artifacts
en_GB: A tool to fix image artefacts

[ctx: @info]
en: This Image Editor tool can fix image artifacts by cloning area.
en_GB: This Image Editor tool can fix image artefacts by cloning area.

en: Set this option to visualize the correction grid to be applied.
en_GB: Set this option to visualise the correction grid to be applied.

[ctx: @info]
en: This Image Editor tool can fix automatically lens artifacts over an image.
en_GB: This Image Editor tool can fix automatically lens artefacts over an image.

en: This value controls in the same manner as the Main control, but has more effect at the edges of the image than at the center.
en_GB: This value controls in the same manner as the Main control, but has more effect at the edges of the image than at the centre.

en: <p>Select the filter preset to use for photograph restoration here:</p><p><b>Reduce Uniform Noise</b>: reduce small image artifacts such as sensor noise.<br/><b>Reduce JPEG Artifacts</b>: reduce large image artifacts, such as a JPEG compression mosaic.<br/><b>Reduce Texturing</b>: reduce image artifacts, such as paper texture, or Moire patterns on scanned images.<br/><b>Custom</b>: Puts settings to most common values, fully customizable.</p>
en_GB: <p>Select the filter preset to use for photograph restoration here:</p><p><b>Reduce Uniform Noise</b>: reduce small image artifacts such as sensor noise.<br/><b>Reduce JPEG Artifacts</b>: reduce large image artifacts, such as a JPEG compression mosaic.<br/><b>Reduce Texturing</b>: reduce image artifacts, such as paper texture, or Moire patterns on scanned images.<br/><b>Custom</b>: Puts settings to most common values, fully customisable.</p>

en: Use Color Management for Printing
en_GB: Use Colour Management for Printing

en: <p>Color Management is disabled.</p> <p>You can enable it now by clicking on the "Settings" button.</p>
en_GB: <p>Colour Management is disabled.</p> <p>You can enable it now by clicking on the "Settings" button.</p>

note: i18n: ectx: property (text), item, widget (QComboBox, kcfg_PrintUnit)
en: Millimeters
en_GB: Millimetres

note: i18n: ectx: property (text), item, widget (QComboBox, kcfg_PrintUnit)
en: Centimeters
en_GB: Centimetres

en: <p>Select the blurring effect to apply to image.</p><p><b>Zoom Blur</b>:  blurs the image along radial lines starting from a specified center point. This simulates the blur of a zooming camera.</p><p><b>Radial Blur</b>: blurs the image by rotating the pixels around the specified center point. This simulates the blur of a rotating camera.</p><p><b>Far Blur</b>: blurs the image by using far pixels. This simulates the blur of an unfocalized camera lens.</p><p><b>Motion Blur</b>: blurs the image by moving the pixels horizontally. This simulates the blur of a linear moving camera.</p><p><b>Softener Blur</b>: blurs the image softly in dark tones and hardly in light tones. This gives images a dreamy and glossy soft focus effect. It is ideal for creating romantic portraits, glamour photographs, or giving images a warm and subtle glow.</p><p><b>Shake Blur</b>: blurs the image by shaking randomly the pixels. This simulates the blur of a random moving camera.</p><p><b>Focus Blur</b>: blurs the image corners to reproduce the astigmatism distortion of a lens.</p><p><b>Smart Blur</b>: finds the edges of color in your image and blurs them without muddying the rest of the image.</p><p><b>Frost Glass</b>: blurs the image by randomly disperse light coming through a frosted glass.</p><p><b>Mosaic</b>: divides the photograph into rectangular cells and then recreates it by filling those cells with average pixel value.</p>
en_GB: <p>Select the blurring effect to apply to image.</p><p><b>Zoom Blur</b>:  blurs the image along radial lines starting from a specified centre point. This simulates the blur of a zooming camera.</p><p><b>Radial Blur</b>: blurs the image by rotating the pixels around the specified centre point. This simulates the blur of a rotating camera.</p><p><b>Far Blur</b>: blurs the image by using far pixels. This simulates the blur of an unfocused camera lens.</p><p><b>Motion Blur</b>: blurs the image by moving the pixels horizontally. This simulates the blur of a linear moving camera.</p><p><b>Softener Blur</b>: blurs the image softly in dark tones and hardly in light tones. This gives images a dreamy and glossy soft focus effect. It is ideal for creating romantic portraits, glamour photographs, or giving images a warm and subtle glow.</p><p><b>Shake Blur</b>: blurs the image by shaking randomly the pixels. This simulates the blur of a random moving camera.</p><p><b>Focus Blur</b>: blurs the image corners to reproduce the astigmatism distortion of a lens.</p><p><b>Smart Blur</b>: finds the edges of colour in your image and blurs them without muddying the rest of the image.</p><p><b>Frost Glass</b>: blurs the image by randomly disperse light coming through a frosted glass.</p><p><b>Mosaic</b>: divides the photograph into rectangular cells and then recreates it by filling those cells with average pixel value.</p>

[ctx: @info]
en: This is the color effects preview
en_GB: This is the colour effects preview

[ctx: @title: filter]
en: Solarize
en_GB: Solarise

[ctx: @info]
en: A tool to apply color effects to an image
en_GB: A tool to apply colour effects to an image

[ctx: @info]
en: This Image Editor tool can apply color effects to an image.
en_GB: This Image Editor tool can apply colour effects to an image.

[ctx: @action]
en: Color Effects...
en_GB: Colour Effects...

en: This value controls the iterations to use for Waves, Tile, and Neon effects.
en_GB: This value controls the iterations to use for Waves, Tile and Neon effects.

en: Enable this option to preserve pixels whose color is close to a skin tone.
en_GB: Enable this option to preserve pixels whose colour is close to a skin tone.

en: This option lets you choose the maximum transversal step that the pixels in the seams can take. In the standard algorithm, corresponding to the default value step = 1, each pixel in a seam can be shifted by at most one pixel with respect to its neighbors. This implies that the seams can form an angle of at most 45 degrees with respect to their base line. Increasing the step value lets you overcome this limit, but may lead to the introduction of artifacts. In order to balance the situation, you can use the rigidity setting.
en_GB: This option lets you choose the maximum transversal step that the pixels in the seams can take. In the standard algorithm, corresponding to the default value step = 1, each pixel in a seam can be shifted by at most one pixel with respect to its neighbours. This implies that the seams can form an angle of at most 45 degrees with respect to their base line. Increasing the step value lets you overcome this limit, but may lead to the introduction of artifacts. In order to balance the situation, you can use the rigidity setting.

en: During the carving process, at each step the optimal seam to be carved is chosen based on the relevance value for each pixel. However, in the case where two seams are equivalent (which may happen, for instance, when large portions of the image have the same color), the algorithm always chooses the seams from one side.  In some cases, this can pose problems, e.g. an object centered in the original image might not be centered in the resulting image. In order to overcome this effect, this setting allows the favored side to be switched automatically during rescaling, at the cost of slightly worse performance.
en_GB: During the carving process, at each step the optimal seam to be carved is chosen based on the relevance value for each pixel. However, in the case where two seams are equivalent (which may happen, for instance, when large portions of the image have the same colour), the algorithm always chooses the seams from one side.  In some cases, this can pose problems, e.g. an object centred in the original image might not be centred in the resulting image. In order to overcome this effect, this setting allows the favoured side to be switched automatically during rescaling, at the cost of slightly worse performance.

en: <p>Select your constrained aspect ratio for cropping. Aspect Ratio Crop tool uses a relative ratio. That means it is the same if you use centimeters or inches and it does not specify the physical size.</p><p>You can see below a correspondence list of traditional photographic paper sizes and aspect ratio crop:</p><p><b>2:3</b>: 10x15cm, 20x30cm, 30x45cm, 4x6", 8x12", 12x18", 16x24", 20x30"</p><p><b>3:4</b>: 6x8cm, 15x20cm, 18x24cm, 30x40cm, 3.75x5", 4.5x6", 6x8", 7.5x10", 9x12"</p><p><b>4:5</b>: 20x25cm, 40x50cm, 8x10", 16x20"</p><p><b>5:7</b>: 15x21cm, 30x42cm, 5x7"</p><p><b>7:10</b>: 21x30cm, 42x60cm, 3.5x5"</p><p><b>8:5</b>: common wide-screen monitor (as 1680x1050)</p><p><b>2:1</b>, <b>3:1</b>, <b>4:1</b>: common panoramic sizes</p><p><b>16:9</b>: common tv-screen (as HDTV or Full-HD)</p><p>The paper <b>Format DIN A</b> use the ratio 1:1.414</p><p>The <b>Golden Ratio</b> is 1:1.618. A composition following this rule is considered visually harmonious but may not be suitable to print on standard photographic paper.</p><p>The <b>Current Aspect Ratio</b> takes aspect ratio from the currently opened image.</p>
en_GB: <p>Select your constrained aspect ratio for cropping. Aspect Ratio Crop tool uses a relative ratio. That means it is the same if you use centimetres or inches and it does not specify the physical size.</p><p>You can see below a correspondence list of traditional photographic paper sizes and aspect ratio crop:</p><p><b>2:3</b>: 10x15cm, 20x30cm, 30x45cm, 4x6", 8x12", 12x18", 16x24", 20x30"</p><p><b>3:4</b>: 6x8cm, 15x20cm, 18x24cm, 30x40cm, 3.75x5", 4.5x6", 6x8", 7.5x10", 9x12"</p><p><b>4:5</b>: 20x25cm, 40x50cm, 8x10", 16x20"</p><p><b>5:7</b>: 15x21cm, 30x42cm, 5x7"</p><p><b>7:10</b>: 21x30cm, 42x60cm, 3.5x5"</p><p><b>8:5</b>: common wide-screen monitor (as 1680x1050)</p><p><b>2:1</b>, <b>3:1</b>, <b>4:1</b>: common panoramic sizes</p><p><b>16:9</b>: common tv-screen (as HDTV or Full-HD)</p><p>The paper <b>Format DIN A</b> use the ratio 1:1.414</p><p>The <b>Golden Ratio</b> is 1:1.618. A composition following this rule is considered visually harmonious but may not be suitable to print on standard photographic paper.</p><p>The <b>Current Aspect Ratio</b> takes aspect ratio from the currently opened image.</p>

en: Set width position to center.
en_GB: Set width position to centre.

en: Set height position to center.
en_GB: Set height position to centre.

en: Color and width:
en_GB: Colour and width:

en: Set here the color used to draw composition guides.
en_GB: Set here the colour used to draw composition guides.

en: Centimeters (cm)
en_GB: Centimetres (cm)

en: Millimeters (mm)
en_GB: Millimetres (mm)

en: Track Color:
en_GB: Track Colour:

en: Digitization date and time
en_GB: Digitisation date and time

en: Digitization sub-second
en_GB: Digitisation sub-second

en: Set digitization date to today
en_GB: Set digitisation date to today

en: Set here the date and time when the image was stored as digital data. If, for example, an image was captured by a digital still camera and at the same time the file was recorded, then Original and Digitization date and time will have the same contents.
en_GB: Set here the date and time when the image was stored as digital data. If, for example, an image was captured by a digital still camera and at the same time the file was recorded, then Original and Digitisation date and time will have the same contents.

en: <b>Warning:</b> Exif<b><a href='https://en.wikipedia.org/wiki/Exchangeable_image_file_format#MakerNote_data'>Makernotes</a></b> can be unreadable if you set wrong device manufacturer/model description.
en_GB: <b>Warning:</b> EXIF<b><a href='https://en.wikipedia.org/wiki/Exchangeable_image_file_format#MakerNote_data'>Makernotes</a></b> can be unreadable if you set wrong device manufacturer/model description.

[ctx: exposure program]
en: Creative program
en_GB: Creative programme

[ctx: exposure program]
en: Action program
en_GB: Action programme

en: Select here the program used by the camera to set exposure when the picture was taken.
en_GB: Select here the programme used by the camera to set exposure when the picture was taken.

[ctx: metering mode]
en: Center weighted average
en_GB: Centre weighted average

en: One-chip color area
en_GB: One-chip colour area

en: Two-chip color area
en_GB: Two-chip colour area

en: Three-chip color area
en_GB: Three-chip colour area

en: Color sequential area
en_GB: Colour sequential area

en: Color sequential linear
en_GB: Colour sequential linear

en: Set here the lens focal length in millimeters used by camera to take the picture.
en_GB: Set here the lens focal length in millimetres used by camera to take the picture.

en: Set here the person or organization to contact.
en_GB: Set here the person or organisation to contact.

en: Digitization date
en_GB: Digitisation date

en: Digitization time
en_GB: Digitisation time

[ctx: @info]
en: This tool allows users to changes plenty of metadata from items.
    
    Most common Exif, Iptc, and Xmp tags used in photography are listed for editing with standardized values.
    
    For photo agencies, pre-configured subjects can be used to describe the items contents based on Iptc reference codes.
en_GB: This tool allows users to changes plenty of metadata from items.
    
    Most common Exif, Iptc, and Xmp tags used in photography are listed for editing with standardised values.
    
    For photo agencies, pre-configured subjects can be used to describe the items contents based on Iptc reference codes.

en: Postal code:
en_GB: Postcode:

en: Set here the contact postal code.
en_GB: Set the contact postcode here.

en: Set here the content's Province or State of origin.
en_GB: Set here the content's County or State of origin.

[ctx: @item: type code]
en: Catalog
en_GB: Catalogue

en: Process Canceled
en_GB: Process Cancelled

[ctx: @info:tooltip]
en: Optimize image features (contrast, saturation, . . .) to be as global as possible.
en_GB: Optimise image features (contrast, saturation, . . .) to be as global as possible.

[ctx: @info:whatsthis]
en: Set automatic level selection (maximized) for pyramid blending, i.e. optimize image features (contrast, saturation, . . .) to be as global as possible.
en_GB: Set automatic level selection (maximised) for pyramid blending, i.e. optimise image features (contrast, saturation, . . .) to be as global as possible.

[ctx: @info:whatsthis]
en: Set the well-exposedness criterion contribution for the blending process. Higher values will favor well-exposed pixels.
en_GB: Set the well-exposedness criterion contribution for the blending process. Higher values will favour well-exposed pixels.

[ctx: @info:whatsthis]
en: Sets the relative weight of high-contrast pixels. Increasing this weight makes pixels with neighboring differently colored pixels contribute more to the final output. Particularly useful for focus stacks.
en_GB: Sets the relative weight of high-contrast pixels. Increasing this weight makes pixels with neighbouring differently coloured pixels contribute more to the final output. Particularly useful for focus stacks.

[ctx: @option:check]
en: Use Color Appearance Model (CIECAM02)
en_GB: Use Colour Appearance Model (CIECAM02)

[ctx: @info:tooltip]
en: Convert to CIECAM02 color appearance model during the blending process instead of RGB.
en_GB: Convert to CIECAM02 colour appearance model during the blending process instead of RGB.

[ctx: @info:whatsthis]
en: Use Color Appearance Modelling (CIECAM02) to render detailed colors. Your input files should have embedded ICC profiles. If no ICC profile is present, sRGB color space will be assumed. The difference between using this option and default color blending algorithm is very slight, and will be most noticeable when you need to blend areas of different primary colors together.
en_GB: Use Colour Appearance Modelling (CIECAM02) to render detailed colours. Your input files should have embedded ICC profiles. If no ICC profile is present, sRGB colour space will be assumed. The difference between using this option and default colour blending algorithm is very slight, and will be most noticeable when you need to blend areas of different primary colours together.

en: <p>This tool allows users to blend bracketed images together to create pseudo HDR photo.</p><p>To create high definition range image, you need to use images from same subject taken with a tripod and exposed with different exposure settings.</p><p>To create image with better results, you can use RAW images instead JPEG, where colors depth is higher and are well adapted for merging pixels by pixels.</p>
en_GB: <p>This tool allows users to blend bracketed images together to create pseudo HDR photo.</p><p>To create high definition range image, you need to use images from same subject taken with a tripod and exposed with different exposure settings.</p><p>To create image with better results, you can use RAW images instead JPEG, where colour depth is higher and are well adapted for merging pixels by pixels.</p>

[ctx: @info]
en: Do not mix images with different color depth.
en_GB: Do not mix images with different colour depth.

en: <p>This tool allows users to back-process items (as resize) before to create W3C compliant html gallery.</p><p>Items to process can be selected one by one or by group through a selection of albums.</p><p>Themable HTML template with different layout can be used to assemble files on a gallery.</p>
en_GB: <p>This tool allows users to back-process items (as resize) before to create W3C compliant html gallery.</p><p>Items to process can be selected one by one or by group through a selection of albums.</p><p>Themeable HTML template with different layout can be used to assemble files on a gallery.</p>

en: can be customized
en_GB: can be customised

en: no customization available
en_GB: no customisation available

en: <p>This tool allows users to export items to jAlbum html gallery generator.</p><p>Items to process can be selected one by one or by group through a selection of albums.</p><p>jAlbum is themable with different templates and layout. See the jAlbum web-site for details: https://jalbum.net/.</p>
en_GB: <p>This tool allows users to export items to jAlbum html gallery generator.</p><p>Items to process can be selected one by one or by group through a selection of albums.</p><p>jAlbum is themeable with different templates and layout. See the jAlbum web-site for details: https://jalbum.net/.</p>

en: <p>This tool allows users to share items on the local network through a DLNA server.</p><p>Items to share can be selected one by one or by group through a selection of albums.</p><p>Many kind of electronic devices can support DLNA, as tablets, cellulars, TV, etc.</p>
en_GB: <p>This tool allows users to share items on the local network through a DLNA server.</p><p>Items to share can be selected one by one or by group through a selection of albums.</p><p>Many kind of electronic devices can support DLNA, as tablets, cellular, TV, etc.</p>

[ctx: @info]
en: The %1 server allows to share items through the local network using a web browser. Motion JPEG is a video compression format in which each video frame is compressed separately as a JPEG image. MJPEG streams is a standard which allows network clients to be connected without additional module. Most major web browsers and players support MJPEG stream. To access to stream from your browser, just use http://address:port as url, with address the MJPEG server IP, and port the server port set in this config dialog.
en_GB: The %1 server allows to share items through the local network using a web browser. Motion JPEG is a video compression format in which each video frame is compressed separately as a JPEG image. MJPEG streams is a standard which allows network clients to be connected without additional module. Most major web browsers and players support MJPEG stream. To access to stream from your browser, just use http://address:port as url, with address the MJPEG server IP, and port the server port set in this configuration dialog.

en: <p>This tool allows users to share items on the local network through a MJPEG Stream server.</p><p>Items to share can be selected one by one or by group through a selection of albums.</p><p>Motion JPEG is a video compression format in which each video frame or interlaced field of a digital video sequence is compressed separately as a JPEG image. MJPEG streams is a standard which allows network clients to be connected without additional module. Most major web browsers and players support MJPEG stream.</p><p>To access to stream from your browser, use http://address:port as url, with address the MJPEG address, and port the MJPEG port set in config dialog. More than one computer can be connected to the MJPEG server at the same time.</p>
en_GB: <p>This tool allows users to share items on the local network through a MJPEG Stream server.</p><p>Items to share can be selected one by one or by group through a selection of albums.</p><p>Motion JPEG is a video compression format in which each video frame or interlaced field of a digital video sequence is compressed separately as a JPEG image. MJPEG streams is a standard which allows network clients to be connected without additional module. Most major web browsers and players support MJPEG stream.</p><p>To access to stream from your browser, use http://address:port as URL, with address the MJPEG address, and port the MJPEG port set in configuration dialog. More than one computer can be connected to the MJPEG server at the same time.</p>

[ctx: @info]
en: After to process recognition, double-click on one item to display recognized text here. You can review words and fix if necessary. Press the Save button to record your changes.
en_GB: After to process recognition, double-click on one item to display recognised text here. You can review words and fix if necessary. Press the Save button to record your changes.

[ctx: @info]
en: Process canceled
en_GB: Process cancelled

[ctx: @info]
en: Specify the language used for OCR. In the Default mode of Language settings for digital text with multiple languages, 
    Tesseract can automatically recognize languages using Latin alphabets such as English or French, 
    but is not compatible with languages using hieroglyphs such as Chinese, Japanese.
    You can use the Orientation and Script Detection mode instead or a specific languagemodule if available.
en_GB: Specify the language used for OCR. In the Default mode of Language settings for digital text with multiple languages, 
    Tesseract can automatically recognise languages using Latin alphabets such as English or French, 
    but is not compatible with languages using hieroglyphs such as Chinese, Japanese.
    You can use the Orientation and Script Detection mode instead or a specific languagemodule if available.

en: <b>Canceled</b>
en_GB: <b>Cancelled</b>

[ctx: @info: whatsthis]
en: "TIFF output": Using TIFF output, you get the same color depth than your original photos using RAW images at the cost of a bigger panorama file.
en_GB: "TIFF output": Using TIFF output, you get the same colour depth than your original photos using RAW images at the cost of a bigger panorama file.

[ctx: @info]
en: Note that, in the case of a 360° panorama, the first image in the list will be the image that will be in the center of the panorama.
en_GB: Note that, in the case of a 360° panorama, the first image in the list will be the image that will be in the centre of the panorama.

[ctx: @info:whatsthis]
en: "Save project file": You can keep the project file generated to stitch your panorama for further tweaking within %1 by checking this. This is useful if you want a different projection, modify the horizon or the center of the panorama, or modify the control points to get better results.
en_GB: "Save project file": You can keep the project file generated to stitch your panorama for further tweaking within %1 by checking this. This is useful if you want a different projection, modify the horizon or the centre of the panorama, or modify the control points to get better results.

[ctx: @title: window]
en: Optimization
en_GB: Optimisation

[ctx: @info]
en: Optimization is in progress, please wait.
en_GB: Optimisation is in progress, please wait.

[ctx: @info]
en: The optimization step according to your settings is ready to be performed.
en_GB: The optimisation step according to your settings is ready to be performed.

[ctx: @info]
en: This step can include an automatic leveling of the horizon, and also an automatic projection selection and size.
en_GB: This step can include an automatic levelling of the horizon, and also an automatic projection selection and size.

[ctx: @info]
en: Press the "Next" button to run the optimization.
en_GB: Press the "Next" button to run the optimisation.

[ctx: @info]
en: Optimization has failed.
en_GB: Optimisation has failed.

en: Printing canceled
en_GB: Printing cancelled

note: i18n: ectx: property (placeholderText), widget (Digikam::DTextEdit, m_FreeCaptionFormat)
en: Enter here your customized caption string...
en_GB: Enter here your customised caption string...

note: i18n: ectx: property (text), widget (QLabel, m_free_label)
en: The fields listed below can be used with the customization:
en_GB: The fields listed below can be used with the customisation:

note: i18n: ectx: property (text), widget (QLabel, label_4)
en: Text Color:
en_GB: Text Colour:

en: Centered
en_GB: Centred

note: i18n: ectx: property (title), widget (QGroupBox, groupBox)
en: Colors
en_GB: Colours

note: i18n: ectx: property (text), widget (QLabel, label)
en: Font color:
en_GB: Font colour:

note: i18n: ectx: property (text), widget (QLabel, label_2)
en: Background color:
en_GB: Background colour:

en: Do you want to move this image to the trash?
en_GB: Do you want to move this image to the Wastebin?

en: Show the digiKam image color label and pick label at the bottom of the screen.
en_GB: Show the digiKam image colour label and pick label at the bottom of the screen.

en: <b>Note: This dialog for the Slideshow Settings can be activated at any time with the F2 key.</b>
en_GB: <b>Note: This dialogue for the Slideshow Settings can be activated at any time with the F2 key.</b>

en: Target file behavior:
en_GB: Target file behaviour:

en: Check if photo should be publicly visible or use Upload Options tab to specify this for all images
en_GB: Tick if photo should be publicly visible or use Upload Options tab to specify this for all images

en: Check if photo should be visible to family or use Upload Options tab to specify this for all images
en_GB: Tick if photo should be visible to family or use Upload Options tab to specify this for all images

en: Check if photo should be visible to friends or use Upload Options tab to specify this for all images
en_GB: Tick if photo should be visible to friends or use Upload Options tab to specify this for all images

en: Filetype was not recognized
en_GB: Filetype was not recognised

en: If checked, you can set extra tags for each image in the File List tab
en_GB: If ticked, you can set extra tags for each image in the File List tab

en: File-type was not recognized
en_GB: File-type was not recognised

en: Tag path behavior :
en_GB: Tag path behaviour :

en: Could not authorize
en_GB: Could not authorise

[ctx: @title:window]
en: Authorization Failed
en_GB: Authorisation Failed

[ctx: distance]
en: meters
en_GB: metres

en: <i>login <b>canceled</b></i>
en_GB: <i>login <b>cancelled</b></i>

en: Ipfs Url
en_GB: Ipfs URL

[ctx: @label]
en: License:
en_GB: Licence:

[ctx: @item]
en: Own work, multi-license with CC-BY-SA-3.0 and GFDL
en_GB: Own work, multi-licence with CC-BY-SA-3.0 and GFDL

[ctx: @item]
en: Own work, multi-license with CC-BY-SA-3.0 and older
en_GB: Own work, multi-licence with CC-BY-SA-3.0 and older

[ctx: @item]
en: Own work, release into public domain under the CC-Zero license
en_GB: Own work, release into public domain under the CC-Zero licence

[ctx: @item]
en: No license specified (not recommended for public wiki sites)
en_GB: No licence specified (not recommended for public wiki sites)

[ctx: piwigo url settings]
en: Url:
en_GB: URL:

en: Authentication dialog
en_GB: Authentication dialogue

en: Error to import RAW image with DarkTable
    Close this dialog to load RAW image with native import tool
en_GB: Error to import RAW image with DarkTable
    Close this dialogue to load RAW image with native import tool

en: Set here the color saturation correction.
en_GB: Set here the colour saturation correction.

en: Error to import RAW image with RawTherapee
    Close this dialog to load RAW image with native import tool
en_GB: Error to import RAW image with RawTherapee
    Close this dialogue to load RAW image with native import tool

en: Error to import RAW image with UFRaw
    Close this dialog to load RAW image with native import tool
en_GB: Error to import RAW image with UFRaw
    Close this dialogue to load RAW image with native import tool

en: Trash
en_GB: Wastebin

en: Take no action now. I would like to solve the problem later using the setup dialog
en_GB: Take no action now. I would like to solve the problem later using the setup dialogue

en: Don't ask again at this session
en_GB: Do not ask again at this session

en: Empty Trash
en_GB: Empty Wastebin

[ctx: @info: generate album name for exporting]
en: Colors:
en_GB: Colours:

[ctx: @info: color label name]
en: No Color
en_GB: No Colour

[ctx: @info: color label name]
en: Gray
en_GB: Grey

[ctx: @item: color tree]
en: Color
en_GB: Colour

[ctx: @item: color tree]
en: No Color
en_GB: No Colour

[ctx: @item: color tree]
en: Gray
en_GB: Grey

[ctx: @info: album properties]
en: Uncategorized Album
en_GB: Uncategorised Album

en: This is a CD/DVD, which is identified by the label that you can set in your CD burning application. There is already another entry with the same label. The two will be distinguished by the files in the top directory, so please do not append files to the CD, or it will not be recognized. In the future, please set a unique label on your CDs and DVDs if you intend to use them with digiKam.
en_GB: This is a CD/DVD, which is identified by the label that you can set in your CD burning application. There is already another entry with the same label. The two will be distinguished by the files in the top directory, so please do not append files to the CD, or it will not be recognised. In the future, please set a unique label on your CDs and DVDs if you intend to use them with digiKam.

[ctx: @info]
en: "relative path" on harddisk partition with "UUID"
    Folder "%1" on the volume with the id "%2"
en_GB: "relative path" on hard-disk partition with "UUID"
    Folder "%1" on the volume with the id "%2"

[ctx: @info]
en: "relative path" on harddisk partition with "label"
    Folder "%1" on the volume labeled "%2"
en_GB: "relative path" on hard-disk partition with "label"
    Folder "%1" on the volume labelled "%2"

en: Initialized and imported file suffix filter
en_GB: Initialised and imported file suffix filter

en: Database type is not supported.
en_GB: Remote file handling is not supported

en: Could not start database initializer.
en_GB: Could not start database initialiser.

en: The database has been used with a more recent version of digiKam and has been updated to a database schema which cannot be used with this version. (This means this digiKam version is too old, or the database format is to recent) Please use the more recent version of digikam that you used before.
en_GB: The database has been used with a more recent version of digiKam and has been updated to a database schema which cannot be used with this version. (This means this digiKam version is too old, or the database format is too recent.) Please use the more recent version of digikam that you used before.

en: Restore Trash
en_GB: Restore Wastebin

[ctx: @info]
en: Initializing database...
en_GB: Initialising database...

en: Database conversion canceled.
en_GB: Database conversion cancelled.

en: Write-Ahead Log is a mode to use a roll-forward journal that records transactions that have been committed but not yet applied to the databases. It uses an auxiliary journalized file to host structures for recovery transactions during a crash. The changes are first recorded in the log, before the changes are written to the database. This made database requests atomic and robust in extensive and critical use cases.
en_GB: Write-Ahead Log is a mode to use a roll-forward journal that records transactions that have been committed but not yet applied to the databases. It uses an auxiliary journalised file to host structures for recovery transactions during a crash. The changes are first recorded in the log, before the changes are written to the database. This made database requests atomic and robust in extensive and critical use cases.

en: <p>Here you can configure locations where MySQL binary tools are located. digiKam will try to find these binaries automatically if they are already installed on your computer.</p>
en_GB: <p>Here you can configure locations where MySQL binaries tools are located. digiKam will try to found these binaries automatically if there are installed on your computer.</p>

en: Similarity Db Name:
en_GB: Similarity DB Name:

en: <p>Use this configuration view to set all information to be connected to a remote <a href="https://en.wikipedia.org/wiki/MySQL">Mysql database server</a> (or <a href="https://en.wikipedia.org/wiki/MariaDB">MariaDB</a>) through a network. As with Sqlite or MySQL internal server, 3 databases will be stored on the remote server: one for all collections properties, one to store compressed thumbnails, and one to store faces recognition metadata.</p><p>Unlike Sqlite or MySQL internal server, you can customize the database names to simplify your backups.</p><p>Databases are digiKam core engines. To prevent performance issues, take a care to use a fast network link between the client and the server computers. It is also recommended to host database files on fast hardware (as <a href="https://en.wikipedia.org/wiki/Solid-state_drive">SSD</a>) with enough free space, especially for thumbnails database, even if data are compressed using wavelets image format <a href="https://en.wikipedia.org/wiki/Progressive_Graphics_File">PGF</a>.</p><p>The databases must be created previously on the remote server by the administrator. Look in <b>Requirements</b> tab for details.</p>
en_GB: <p>Use this configuration view to set all information to be connected to a remote <a href="https://en.wikipedia.org/wiki/MySQL">Mysql database server</a> (or <a href="https://en.wikipedia.org/wiki/MariaDB">MariaDB</a>) through a network. As with Sqlite or MySQL internal server, 3 databases will be stored on the remote server: one for all collections properties, one to store compressed thumbnails, and one to store faces recognition metadata.</p><p>Unlike Sqlite or MySQL internal server, you can customise the database names to simplify your backups.</p><p>Databases are digiKam core engines. To prevent performance issues, take a care to use a fast network link between the client and the server computers. It is also recommended to host database files on fast hardware (as <a href="https://en.wikipedia.org/wiki/Solid-state_drive">SSD</a>) with enough free space, especially for thumbnails database, even if data are compressed using wavelets image format <a href="https://en.wikipedia.org/wiki/Progressive_Graphics_File">PGF</a>.</p><p>The databases must be created previously on the remote server by the administrator. Look in <b>Requirements</b> tab for details.</p>

en: This binary file is used to initialize the MariaDB data files for the database.
en_GB: This binary file is used to initialise the MariaDB data files for the database.

en: If checked, files will be permanently removed instead of being placed in the Trash.
en_GB: If ticked, files will be permanently removed instead of being placed in the Wastebin.

en: <p>If this box is checked, items will be <b>permanently removed</b> instead of being placed in the Trash.</p><p><em>Use this option with caution</em>: most filesystems are unable to undelete deleted items reliably.</p>
en_GB: <p>If this box is ticked, items will be <b>permanently removed</b> instead of being placed in the wastebin.</p><p><em>Use this option with caution</em>: most filesystems are unable to undelete deleted items reliably.</p>

en: &Delete items instead of moving them to the trash
en_GB: &Delete items instead of moving them to the Wastebin

en: If checked, this dialog will no longer be shown, and items will be directly and permanently deleted.
en_GB: If ticked, this dialogue will no longer be shown, and items will be directly and permanently deleted.

en: If this box is checked, this dialog will no longer be shown, and items will be directly and permanently deleted.
en_GB: If this box is ticked, this dialogue will no longer be shown, and items will be directly and permanently deleted.

en: If checked, this dialog will no longer be shown, and items will be directly moved to the Trash.
en_GB: If ticked, this dialogue will no longer be shown, and items will be directly moved to the wastebin.

en: If this box is checked, this dialog will no longer be shown, and items will be directly moved to the Trash.
en_GB: If this box is ticked, this dialogue will no longer be shown, and items will be directly moved to the Wastebin.

en: These items will be moved to Trash.
en_GB: These items will be moved to the Wastebin.

en: These albums will be moved to Trash.
en_GB: These albums will be moved to the Wastebin.

en: <p>These albums will be moved to Trash.</p><p>Note that <b>all subalbums</b> are included in this list and will be moved to Trash as well.</p>
en_GB: <p>These albums will be moved to the Wastebin.</p><p>Note that <b>all subalbums</b> are included in this list and will be moved to the Wastebin as well.</p>

en: &Move to Trash
en_GB: &Move to Wastebin

[ctx: @title:window]
en: Color Profile Info - %1
en_GB: Colour Profile Info - %1

[ctx: @item: universal device ID]
en: Udi
en_GB: UDI

[ctx: @item: parent device ID]
en: Parent Udi
en_GB: Parent UDI

[ctx: @item]
en: Udi
en_GB: UDI

[ctx: Color Model: Grayscale]
en: Grayscale
en_GB: Greyscale

en: Auto Equalize
en_GB: Auto Equalise

en: Auto Normalize
en_GB: Auto Normalise

en: <b>Black & White with Yellow-Green Filter</b>:<p>Simulate black and white film exposure using a yellow-green filter. A yellow-green filter is highly effective for outdoor portraits because red is rendered dark while green appears lighter. Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. This filter is highly effective for indoor portraits under tungsten lighting.</p>
en_GB: <b>Black & White with Yellow-Green Filter</b>:<p>Simulate black and white film exposure using a yellow-green filter. A yellow-green filter is highly effective for outdoor portraits because red is rendered dark while green appears lighter. Great for correcting skin tones, bringing out facial expressions in close-ups and emphasising the feeling of liveliness. This filter is highly effective for indoor portraits under tungsten lighting.</p>

[ctx: @info]
en: Select the red color gain, as a percentage, for the current channel.
en_GB: Select the red colour gain, as a percentage, for the current channel.

[ctx: @info]
en: Select the green color gain, as a percentage, for the current channel.
en_GB: Select the green colour gain, as a percentage, for the current channel.

[ctx: @info]
en: Select the blue color gain, as a percentage, for the current channel.
en_GB: Select the blue colour gain, as a percentage, for the current channel.

[ctx: @info]
en: Reset color channels' gains settings from the currently selected channel.
en_GB: Reset colour channels' gain settings for the currently selected channel.

[ctx: @info: help]
en: Use "Monochrome" mode to convert color picture to Black and White:
    The "red channel" modifies the contrast of photograph.
    The "green channel" enhances or reduces the details level of photograph.
    The "blue channel" affects the noise of photograph.
    Note: in this mode, the histogram will display only luminosity values.
en_GB: Use "Monochrome" mode to convert colour picture to Black and White:
    The "red channel" modifies the contrast of photograph.
    The "green channel" enhances or reduces the details level of photograph.
    The "blue channel" affects the noise of photograph.
    Note: in this mode, the histogram will display only luminosity values.

en: Color Balance Tool
en_GB: Colour Balance Tool

[ctx: @info]
en: Set here the cyan/red color adjustment of the image.
en_GB: Set here the cyan/red colour adjustment of the image.

[ctx: @info]
en: Set here the magenta/green color adjustment of the image.
en_GB: Set here the magenta/green colour adjustment of the image.

[ctx: @info]
en: Set here the yellow/blue color adjustment of the image.
en_GB: Set here the yellow/blue colour adjustment of the image.

en: With this button, you can pick the color from original image used to set <b>Shadow Tone</b> smooth curves point on Red, Green, Blue, and Luminosity channels.
en_GB: With this button, you can pick the colour from original image used to set <b>Shadow Tone</b> smooth curves point on Red, Green, Blue, and Luminosity channels.

en: With this button, you can pick the color from original image used to set <b>Middle Tone</b> smooth curves point on Red, Green, Blue, and Luminosity channels.
en_GB: With this button, you can pick the colour from original image used to set <b>Middle Tone</b> smooth curves point on Red, Green, Blue, and Luminosity channels.

en: With this button, you can pick the color from original image used to set <b>Highlight Tone</b> smooth curves point on Red, Green, Blue, and Luminosity channels.
en_GB: With this button, you can pick the colour from original image used to set <b>Highlight Tone</b> smooth curves point on Red, Green, Blue, and Luminosity channels.

en: Set here the foreground color of the border.
en_GB: Set here the foreground colour of the border.

en: Set here the Background color of the border.
en_GB: Set here the Background colour of the border.

en: Set here the color of the main border.
en_GB: Set here the colour of the main border.

en: Set here the color of the line.
en_GB: Set here the colour of the line.

en: Set here the color of the upper left area.
en_GB: Set here the colour of the upper left area.

en: Set here the color of the lower right area.
en_GB: Set here the colour of the lower right area.

en: Set here the color of the first line.
en_GB: Set here the colour of the first line.

en: Set here the color of the second line.
en_GB: Set here the colour of the second line.

en: Color Negative Inverter
en_GB: Colour Negative Inverter

en: Color FX Filter
en_GB: Colour FX Filter

[ctx: @item: color effect]
en: Solarize
en_GB: Solarise

[ctx: @info]
en: Select the effect type to apply to the image here.
    "Solarize": simulates solarization of photograph.
    "Vivid": simulates the Velvia(tm) slide film colors.
    "Neon": coloring the edges in a photograph to
    reproduce a fluorescent light effect.
    "Find Edges": detects the edges in a photograph
    and their strength.
    "Lut3D": coloring images with Lut3D filters
en_GB: Select the effect type to apply to the image here.
    "Solarise": simulates solarisation of photograph.
    "Vivid": simulates the Velvia(tm) slide film colours.
    "Neon": colouring the edges in a photograph to
    reproduce a fluorescent light effect.
    "Find Edges": detects the edges in a photograph
    and their strength.
    "Lut3D": colouring images with Lut3D filters

[ctx: @info: effect type]
en: Washout Color
en_GB: Washout Colour

[ctx: @item: interpolation]
en: Nearest Neighbor
en_GB: Nearest Neighbour

en: <p>Use this button to add a new black frame file which will be used by the hot pixels removal filter.</p><p>The Black Frame subtraction method is the most accurate "Hot Pixels" and "Stuck Pixels" removal. First you have to create a "Black Frame" as a reference. This is easy to do. When you finish taking your long exposure shots, put a lens cap on the camera and take one "dark" image with the same exposure time as the images before. This image will be all dark, but with close examination you will see that it has the Hot and Stuck Pixels (colored dots). These are positioned at the same places as on your previous shots. This tool will parse black frame, detect hot pixels, and create a list of positions where image must be corrected to eliminate wrong colors in these pixels.</p>
en_GB: <p>Use this button to add a new black frame file which will be used by the hot pixels removal filter.</p><p>The Black Frame subtraction method is the most accurate "Hot Pixels" and "Stuck Pixels" removal. First you have to create a "Black Frame" as a reference. This is easy to do. When you finish taking your long exposure shots, put a lens cap on the camera and take one "dark" image with the same exposure time as the images before. This image will be all dark, but with close examination you will see that it has the Hot and Stuck Pixels (coloured dots). These are positioned at the same places as on your previous shots. This tool will parse black frame, detect hot pixels, and create a list of positions where image must be corrected to eliminate wrong colours in these pixels.</p>

en: You can see here a color preview of the hue and saturation adjustments.
en_GB: You can see here a colour preview of the hue and saturation adjustments.

en: Set here the vibrance adjustment of the image.Vibrance performs selective saturation on less saturated colors and avoiding skin tones.
en_GB: Set here the vibrance adjustment of the image.Vibrance performs selective saturation on less saturated colours and avoiding skin tones.

en: Select the profile of the color space to convert to.
en_GB: Select the profile of the colour space to convert to.

en: Input color profile "%1" not available
en_GB: Input colour profile "%1" not available

en: Output color profile "%1" not available
en_GB: Output colour profile "%1" not available

en: Chromatic aberration is easily recognized as color fringes towards the image corners. CA is due to a varying lens focus for different colors.
en_GB: Chromatic aberration is easily recognised as colour fringes towards the image corners. CA is due to a varying lens focus for different colours.

en: Vignetting refers to an image darkening, mostly in the corners. Optical and natural vignetting can be canceled out with this option, whereas mechanical vignetting will not be cured.
en_GB: Vignetting refers to an image darkening, mostly in the corners. Optical and natural vignetting can be cancelled out with this option, whereas mechanical vignetting will not be cured.

[ctx: The colors channel]
en: Colors
en_GB: Colours

en: <b>Colors</b>: Display all color channel values at the same time.
en_GB: <b>Colours</b>: Display all colour channel values at the same time.

en: Suppress color noise.
en_GB: Suppress colour noise.

en: Increasing the correlation may help to reduce artifacts. The correlation can range from 0-1. Useful values are 0.5 and values close to 1, e.g. 0.95 and 0.99. Using a high value for the correlation will reduce the sharpening effect of the tool.
en_GB: Increasing the correlation may help to reduce artefacts. The correlation can range from 0-1. Useful values are 0.5 and values close to 1, e.g. 0.95 and 0.99. Using a high value for the correlation will reduce the sharpening effect of the tool.

en: Increasing the noise filter parameter may help to reduce artifacts. The noise filter can range from 0-1 but values higher than 0.1 are rarely helpful. When the noise filter value is too low, e.g. 0.0 the image quality will be very poor. A useful value is 0.01. Using a high value for the noise filter will reduce the sharpening effect of the tool.
en_GB: Increasing the noise filter parameter may help to reduce artefacts. The noise filter can range from 0-1 but values higher than 0.1 are rarely helpful. When the noise filter value is too low, e.g. 0.0 the image quality will be very poor. A useful value is 0.01. Using a high value for the noise filter will reduce the sharpening effect of the tool.

en: An angle in degrees by which to rotate the image. A positive angle rotates the image clockwise; a negative angle rotates it counter-clockwise.
en_GB: An angle in degrees by which to rotate the image. A positive angle rotates the image clockwise; a negative angle rotates it anti-clockwise.

[ctx: @title: WB]
en: Color Temperature
en_GB: Colour Temperature

[ctx: @info: WB settings]
en: Set here the white balance color temperature in Kelvin.
en_GB: Set here the white balance colour temperature in Kelvin.

[ctx: @info: WB settings]
en: Select the white balance color temperature preset to use.
en_GB: Select the white balance colour temperature preset to use.

[ctx: @item: WB settings]
en: neutral color temperature
en_GB: neutral colour temperature

[ctx: @info: WB settings]
en: Temperature tone color picker.
en_GB: Temperature tone colour picker.

[ctx: @info: WB settings]
en: With this button, you can pick the color from the original image used to set the white color balance temperature and green component.
en_GB: With this button, you can pick the colour from the original image used to set the white colour balance temperature and green component.

[ctx: @info: WB settings]
en: Set here the green component to control the magenta color cast removal level.
en_GB: Set here the green component to control the magenta colour cast removal level.

[ctx: @title:window]
en: White Color Balance Settings File to Load
en_GB: White Colour Balance Settings File to Load

[ctx: @info]
en: "%1" is not a White Color Balance settings text file.
en_GB: "%1" is not a White Colour Balance settings text file.

[ctx: @info]
en: Cannot load settings from the White Color Balance text file.
en_GB: Cannot load settings from the White Colour Balance text file.

[ctx: @title:window]
en: White Color Balance Settings File to Save
en_GB: White Colour Balance Settings File to Save

[ctx: @info]
en: Cannot save settings to the White Color Balance text file.
en_GB: Cannot save settings to the White Colour Balance text file.

[ctx: @action: dplugin]
en: Color
en_GB: Colour

[ctx: @action: search bar]
en: Check All
en_GB: Tick All

[ctx: Web Service: SMUGMUG]
en: Smugmug
en_GB: SmugMug

en: Revising Exif Orientation tags
en_GB: Revising EXIF Orientation tags

en: Assigning image color label
en_GB: Assigning image colour label

en: No pending metadata synchronization
en_GB: No pending metadata synchronisation

en: If lazy synchronization is enabled in metadata settings, the status bar will display the number of items waiting for synchronization
en_GB: If lazy synchronisation is enabled in metadata settings, the status bar will display the number of items waiting for synchronisation

en: 1 file awaits synchronization | %1 files await synchronization
en_GB[0]: 1 file awaits synchronisation
en_GB[1]: %1 files await synchronisation

en: Background color indicates the global image filter status, encompassing all filter settings from the right sidebar.
    
    NO COLOR: no filter is active, all items are visible.
    RED: filtering is on, but no items match.
    GREEN: filter(s) match(es) at least one item.
    
    Move mouse cursor over this text to see more details about active filters.
    Press the Reset button from the right side to clear all filter settings.
    Press the Settings button from the right side to open the filters panel.
en_GB: Background colour indicates the global image filter status, encompassing all filter settings from the right sidebar.
    
    NO COLOUR: no filter is active, all items are visible.
    RED: filtering is on, but no items match.
    GREEN: filter(s) match(es) at least one item.
    
    Move mouse cursor over this text to see more details about active filters.
    Press the Reset button from the right side to clear all filter settings.
    Press the Settings button from the right side to open the filters panel.

en: <br/><nobr><i>Color Labels</i></nobr>
en_GB: <br/><nobr><i>Colour Labels</i></nobr>

en: Could not move folder %1 to collection trash.
    Check the file permission on the trash folder ".dtrash" in the image collection.
en_GB: Could not move folder %1 to collection wastebin.
    Check the file permission on the wastebin folder ".dtrash" in the image collection.

en: Could not move image %1 to collection trash.
    Check the file permission on the trash folder ".dtrash" in the image collection.
en_GB: Could not move image %1 to collection wastebin.
    Check the file permission on the wastebin folder ".dtrash" in the image collection.

en: Could not restore file %1 from trash
en_GB: Could not restore file %1 from wastebin

[ctx: @title: xmp namespace for color-label container]
en: Color label
en_GB: Colour label

en: Synchronization error between the channels
en_GB: Synchronisation error between the channels

en: Open setup dialog page to configure updates.
en_GB: Open setup dialogue page to configure updates.

en: <p>Current <b>%1</b> pre-release date is <i>%2</i>.</p><p>New pre-release built on <i>%3</i> is available on this <a href='%4'>repository</a>.</p><p>Press <b>Download</b> to get the file...</p><p>Note: from Setup/Misc panel, you can switch to check for stable release only.<br/>Stable versions are safe to use in production.</p><p>Press <b>Configure</b> if you want to customize update options from setup dialog.</p>
en_GB: <p>Current <b>%1</b> pre-release date is <i>%2</i>.</p><p>New pre-release built on <i>%3</i> is available on this <a href='%4'>repository</a>.</p><p>Press <b>Download</b> to get the file...</p><p>Note: from Setup/Misc panel, you can switch to check for stable release only.<br/>Stable versions are safe to use in production.</p><p>Press <b>Configure</b> if you want to customise update options from setup dialog.</p>

en: <p>Current <b>%1</b> stable version is <i>%2</i></p><p>New stable version <i>%3</i> is available on this <a href='%4'>repository</a>.</p><p>Press <b>Download</b> to get the file...</p><p>Note: from Setup/Misc panel, you can switch to check for weekly pre-release.<br/>Pre-release versions are dedicated to test quickly new features.<br/>It's not recommended to use pre-releases in production as bugs can remain,<br/>unless you know what you are doing.</p><p>Press <b>Configure</b> if you want to customize update options from setup dialog.</p>
en_GB: <p>Current <b>%1</b> stable version is <i>%2</i></p><p>New stable version <i>%3</i> is available on this <a href='%4'>repository</a>.</p><p>Press <b>Download</b> to get the file...</p><p>Note: from Setup/Misc panel, you can switch to check for weekly pre-release.<br/>Pre-release versions are dedicated to test quickly new features.<br/>It's not recommended to use pre-releases in production as bugs can remain,<br/>unless you know what you are doing.</p><p>Press <b>Configure</b> if you want to customise update options from setup dialog.</p>

en: Open detailed progress dialog
en_GB: Open detailed progress dialogue

[ctx: @info]
en: You have edited the color label of the image.  | You have edited the color label of %1 images.
en_GB[0]: You have edited the colour label of the image.
en_GB[1]: You have edited the colour label of %1 images.

[ctx: @info]
en: <li>color label</li>
en_GB: <li>colour label</li>

[ctx: @label]
en: Color Label:
en_GB: Colour Label:

[ctx: @label: color properties]
en: Color depth:
en_GB: Colour depth:

[ctx: @title: item properties]
en: Colors
en_GB: Colours

[ctx: @label: item properties]
en: Color mode:
en_GB: Colour mode:

[ctx: @label: item properties]
en: Color label:
en_GB: Colour label:

[ctx: @label: item properties]
en: Versionned:
en_GB: Versioned:

[ctx: @option:check]
en: 16 bits color depth
en_GB: 16 bits colour depth

[ctx: @info:whatsthis]
en: <para>If enabled, all RAW files will be decoded in 16-bit color depth using a linear gamma curve. To prevent dark picture rendering in the editor, it is recommended to use Color Management in this mode.</para><para>If disabled, all RAW files will be decoded in 8-bit color depth with a BT.709 gamma curve and a 99th-percentile white point. This mode is faster than 16-bit decoding.</para>
en_GB: <para>If enabled, all RAW files will be decoded in 16-bit colour depth using a linear gamma curve. To prevent dark picture rendering in the editor, it is recommended to use Colour Management in this mode.</para><para>If disabled, all RAW files will be decoded in 8-bit colour depth with a BT.709 gamma curve and a 99th-percentile white point. This mode is faster than 16-bit decoding.</para>

[ctx: @option:check]
en: Interpolate RGB as four colors
en_GB: Interpolate RGB as four colours

[ctx: @info:whatsthis]
en: <title>Interpolate RGB as four colors</title><para>The default is to assume that all green pixels are the same. If even-row green pixels are more sensitive to ultraviolet light than odd-row this difference causes a mesh pattern in the output; using this option solves this problem with minimal loss of detail.</para><para>To resume, this option blurs the image a little, but it eliminates false 2x2 mesh patterns with VNG quality method or mazes with AHD quality method.</para>
en_GB: <title>Interpolate RGB as four colours</title><para>The default is to assume that all green pixels are the same. If even-row green pixels are more sensitive to ultraviolet light than odd-row this difference causes a mesh pattern in the output; using this option solves this problem with minimal loss of detail.</para><para>To resume, this option blurs the image a little, but it eliminates false 2x2 mesh patterns with VNG quality method or mazes with AHD quality method.</para>

[ctx: @info:whatsthis]
en: <title>Quality (interpolation)</title><para>Select here the demosaicing method to use when decoding RAW images. A demosaicing algorithm is a digital image process used to interpolate a complete image from the partial raw data received from the color-filtered image sensor, internal to many digital cameras, in form of a matrix of colored pixels. Also known as CFA interpolation or color reconstruction, another common spelling is demosaicing. The following methods are available for demosaicing RAW images:</para><para><list><item><emphasis strong='true'>Bilinear</emphasis>: use high-speed but low-quality bilinear interpolation (default - for slow computers). In this method, the red value of a non-red pixel is computed as the average of the adjacent red pixels, and similarly for blue and green.</item><item><emphasis strong='true'>VNG</emphasis>: use Variable Number of Gradients interpolation. This method computes gradients near the pixel of interest and uses the lower gradients (representing smoother and more similar parts of the image) to make an estimate.</item><item><emphasis strong='true'>PPG</emphasis>: use Patterned-Pixel-Grouping interpolation. Pixel Grouping uses assumptions about natural scenery in making estimates. It has fewer color artifacts on natural images than the Variable Number of Gradients method.</item><item><emphasis strong='true'>AHD</emphasis>: use Adaptive Homogeneity-Directed interpolation. This method selects the direction of interpolation so as to maximize a homogeneity metric, thus typically minimizing color artifacts.</item><item><emphasis strong='true'>DCB</emphasis>: DCB interpolation from linuxphoto.org project.</item><item><emphasis strong='true'>DHT</emphasis>: DHT interpolation.See https://www.libraw.org/node/2306 for details.</item><item><emphasis strong='true'>AAHD</emphasis>: modified AHD interpolation.</item></list></para>
en_GB: <title>Quality (interpolation)</title><para>Select here the demosaicing method to use when decoding RAW images. A demosaicing algorithm is a digital image process used to interpolate a complete image from the partial raw data received from the colour-filtered image sensor, internal to many digital cameras, in form of a matrix of coloured pixels. Also known as CFA interpolation or colour reconstruction, another common spelling is demosaicing. The following methods are available for demosaicing RAW images:</para><para><list><item><emphasis strong='true'>Bilinear</emphasis>: use high-speed but low-quality bilinear interpolation (default - for slow computers). In this method, the red value of a non-red pixel is computed as the average of the adjacent red pixels, and similarly for blue and green.</item><item><emphasis strong='true'>VNG</emphasis>: use Variable Number of Gradients interpolation. This method computes gradients near the pixel of interest and uses the lower gradients (representing smoother and more similar parts of the image) to make an estimate.</item><item><emphasis strong='true'>PPG</emphasis>: use Patterned-Pixel-Grouping interpolation. Pixel Grouping uses assumptions about natural scenery in making estimates. It has fewer colour artifacts on natural images than the Variable Number of Gradients method.</item><item><emphasis strong='true'>AHD</emphasis>: use Adaptive Homogeneity-Directed interpolation. This method selects the direction of interpolation so as to maximise a homogeneity metric, thus typically minimizing colour artifacts.</item><item><emphasis strong='true'>DCB</emphasis>: DCB interpolation from linuxphoto.org project.</item><item><emphasis strong='true'>DHT</emphasis>: DHT interpolation.See https://www.libraw.org/node/2306 for details.</item><item><emphasis strong='true'>AAHD</emphasis>: modified AHD interpolation.</item></list></para>

[ctx: @info:whatsthis]
en: <title>Refine interpolation</title><para>This setting is available only for few Quality options:</para><para><list><item><emphasis strong='true'>DCB</emphasis>: turn on the enhance interpolated colors filter.</item><item><emphasis strong='true'>VCD & AHD</emphasis>: turn on the enhanced effective color interpolation (EECI) refine to improve sharpness.</item></list></para>
en_GB: <title>Refine interpolation</title><para>This setting is available only for few Quality options:</para><para><list><item><emphasis strong='true'>DCB</emphasis>: turn on the enhance interpolated colours filter.</item><item><emphasis strong='true'>VCD & AHD</emphasis>: turn on the enhanced effective colour interpolation (EECI) refine to improve sharpness.</item></list></para>

[ctx: @info:whatsthis]
en: <title>Temperature</title><para>Set here the color temperature in Kelvin.</para>
en_GB: <title>Temperature</title><para>Set here the colour temperature in Kelvin.</para>

[ctx: @info:whatsthis]
en: <para>Set here the green component to set magenta color cast removal level.</para>
en_GB: <para>Set here the green component to set magenta colour cast removal level.</para>

[ctx: @info:whatsthis]
en: <title>Level</title><para>Specify the reconstruct highlight level. Low values favor whites and high values favor colors.</para>
en_GB: <title>Level</title><para>Specify the reconstruct highlight level. Low values favor whites and high values favor colours.</para>

[ctx: @option:check]
en: Correct false colors in highlights
en_GB: Correct false colours in highlights

[ctx: @info:whatsthis]
en: <title>Camera Profile</title><para>Select here the input color space used to decode RAW data.</para><para><list><item><emphasis strong='true'>None</emphasis>: no input color profile is used during RAW decoding.</item><item><emphasis strong='true'>Embedded</emphasis>: use embedded color profile from RAW file, if it exists.</item><item><emphasis strong='true'>Custom</emphasis>: use a custom input color space profile.</item></list></para>
en_GB: <title>Camera Profile</title><para>Select here the input colour space used to decode RAW data.</para><para><list><item><emphasis strong='true'>None</emphasis>: no input colour profile is used during RAW decoding.</item><item><emphasis strong='true'>Embedded</emphasis>: use embedded colour profile from RAW file, if it exists.</item><item><emphasis strong='true'>Custom</emphasis>: use a custom input colour space profile.</item></list></para>

[ctx: @info:whatsthis]
en: <title>Workspace</title><para>Select here the output color space used to decode RAW data.</para><para><list><item><emphasis strong='true'>Raw (linear)</emphasis>: in this mode, no output color space is used during RAW decoding.</item><item><emphasis strong='true'>sRGB</emphasis>: this is an RGB color space, created cooperatively by Hewlett-Packard and Microsoft. It is the best choice for images destined for the Web and portrait photography.</item><item><emphasis strong='true'>Adobe RGB</emphasis>: this color space is an extended RGB color space, developed by Adobe. It is used for photography applications such as advertising and fine art.</item><item><emphasis strong='true'>Wide Gamut</emphasis>: this color space is an expanded version of the Adobe RGB color space.</item><item><emphasis strong='true'>Pro-Photo</emphasis>: this color space is an RGB color space, developed by Kodak, that offers an especially large gamut designed for use with photographic outputs in mind.</item><item><emphasis strong='true'>Custom</emphasis>: use a custom output color space profile.</item></list></para>
en_GB: <title>Workspace</title><para>Select here the output colour space used to decode RAW data.</para><para><list><item><emphasis strong='true'>Raw (linear)</emphasis>: in this mode, no output colour space is used during RAW decoding.</item><item><emphasis strong='true'>sRGB</emphasis>: this is an RGB colour space, created cooperatively by Hewlett-Packard and Microsoft. It is the best choice for images destined for the Web and portrait photography.</item><item><emphasis strong='true'>Adobe RGB</emphasis>: this colour space is an extended RGB colour space, developed by Adobe. It is used for photography applications such as advertising and fine art.</item><item><emphasis strong='true'>Wide Gamut</emphasis>: this colour space is an expanded version of the Adobe RGB colour space.</item><item><emphasis strong='true'>Pro-Photo</emphasis>: this colour space is an RGB colour space, developed by Kodak, that offers an especially large gamut designed for use with photographic outputs in mind.</item><item><emphasis strong='true'>Custom</emphasis>: use a custom output colour space profile.</item></list></para>

[ctx: @label]
en: Color Management
en_GB: Colour Management

en: Assign Color Label "%1"
en_GB: Assign Colour Label "%1"

[ctx: @action: button]
en: Organize
en_GB: Organise

en: <p>(synonymous to Provider): Use the Provider field to identify who is providing the photograph. This does not necessarily have to be the author. If a photographer is working for a news agency such as Reuters or the Associated Press, these organizations could be listed here as they are "providing" the image for use by others. If the image is a stock photograph, then the group (agency) involved in supplying the image should be listed here.</p><p>With IPTC, this field is limited to 32 characters.</p>
en_GB: <p>(synonymous to Provider): Use the Provider field to identify who is providing the photograph. This does not necessarily have to be the author. If a photographer is working for a news agency such as Reuters or the Associated Press, these organisations could be listed here as they are "providing" the image for use by others. If the image is a stock photograph, then the group (agency) involved in supplying the image should be listed here.</p><p>With IPTC, this field is limited to 32 characters.</p>

en: <p>The Copyright Notice should contain any necessary copyright notice for claiming the intellectual property, and should identify the current owner(s) of the copyright for the photograph. Usually, this would be the photographer, but if the image was done by an employee or as work-for-hire, then the agency or company should be listed. Use the form appropriate to your country. USA: &copy; {date of first publication} name of copyright owner, as in "&copy;2005 John Doe." Note, the word "copyright" or the abbreviation "copr" may be used in place of the &copy; symbol. In some foreign countries only the copyright symbol is recognized and the abbreviation does not work. Furthermore the copyright symbol must be a full circle with a "c" inside; using something like (c) where the parentheses form a partial circle is not sufficient. For additional protection worldwide, use of the phrase, "all rights reserved" following the notice above is encouraged. 
    In Europe you would use: Copyright {Year} {Copyright owner}, all rights reserved. 
    In Japan, for maximum protection, the following three items should appear in the copyright field of the IPTC Core: (a) the word, Copyright; (b) year of the first publication; and (c) name of the author. You may also wish to include the phrase "all rights reserved".</p><p>With XMP, you can include more than one copyright string using different languages.</p><p>With IPTC, this field is limited to 128 characters.</p>
en_GB: <p>The Copyright Notice should contain any necessary copyright notice for claiming the intellectual property, and should identify the current owner(s) of the copyright for the photograph. Usually, this would be the photographer, but if the image was done by an employee or as work-for-hire, then the agency or company should be listed. Use the form appropriate to your country. USA: &copy; {date of first publication} name of copyright owner, as in "&copy;2005 John Doe." Note, the word "copyright" or the abbreviation "copr" may be used in place of the &copy; symbol. In some foreign countries only the copyright symbol is recognised and the abbreviation does not work. Furthermore the copyright symbol must be a full circle with a "c" inside; using something like (c) where the parentheses form a partial circle is not sufficient. For additional protection worldwide, use of the phrase, "all rights reserved" following the notice above is encouraged. 
    In Europe you would use: Copyright {Year} {Copyright owner}, all rights reserved. 
    In Japan, for maximum protection, the following three items should appear in the copyright field of the IPTC Core: (a) the word, Copyright; (b) year of the first publication; and (c) name of the author. You may also wish to include the phrase "all rights reserved".</p><p>With XMP, you can include more than one copyright string using different languages.</p><p>With IPTC, this field is limited to 128 characters.</p>

en: Postal Code:
en_GB: Postcode:

en: Enter the postal code of the lead author here.
en_GB: Enter the postcode of the lead author here.

en: <p>This field should contain the postal code where the lead author lives.</p>
en_GB: <p>This field should contain the postcode where the lead author lives.</p>

[ctx: @title:window]
en: Failed to Initialize Thumbnails Database
en_GB: Failed to Initialise Thumbnails Database

en: EXIF: digitized
en_GB: EXIF: digitised

en: EXIF: digitized (fuzzy)
en_GB: EXIF: digitised (fuzzy)

en: Either click or drag'n drop a photo on the button to choose a clock photo
en_GB: Either click or drag and drop a photo on the button to choose a clock photo

en: A development version has been detect. There is no guarantee on the behavior of this binary.
en_GB: A development version has been detect. There is no guarantee on the behaviour of this binary.

[ctx: @info: font properties]
en: Enable this checkbox to change the font family settings.
en_GB: Enable this tick box to change the font family settings.

[ctx: @info: font properties]
en: Enable this checkbox to change the font style settings.
en_GB: Enable this tick box to change the font style settings.

[ctx: @info: font properties]
en: Enable this checkbox to change the font size settings.
en_GB: Enable this tick box to change the font size settings.

en: Uncalibrated color space
en_GB: Uncalibrated colour space

en: Relative Colorimetric
en_GB: Relative Colourimetric

en: Absolute Colorimetric
en_GB: Absolute Colourimetric

en: <ul><li><p><b>Perceptual intent</b> causes the full gamut of the image to be compressed or expanded to fill the gamut of the destination device, so that gray balance is preserved but colorimetric accuracy may not be preserved.</p><p>In other words, if certain colors in an image fall outside of the range of colors that the output device can render, the image intent will cause all the colors in the image to be adjusted so that the every color in the image falls within the range that can be rendered and so that the relationship between colors is preserved as much as possible.</p><p>This intent is most suitable for display of photographs and images, and is the default intent.</p></li><li><p><b>Absolute Colorimetric intent</b> causes any colors that fall outside the range that the output device can render to be adjusted to the closest color that can be rendered, while all other colors are left unchanged.</p><p>This intent preserves the white point and is most suitable for spot colors (Pantone, TruMatch, logo colors, ....)</p></li><li><p><b>Relative Colorimetric intent</b> is defined such that any colors that fall outside the range that the output device can render are adjusted to the closest color that can be rendered, while all other colors are left unchanged. Proof intent does not preserve the white point.</p></li><li><p><b>Saturation intent</b> preserves the saturation of colors in the image at the possible expense of hue and lightness.</p><p>Implementation of this intent remains somewhat problematic, and the ICC is still working on methods to achieve the desired effects.</p><p>This intent is most suitable for business graphics such as charts, where it is more important that the colors be vivid and contrast well with each other rather than a specific color.</p></li></ul>
en_GB: <ul><li><p><b>Perceptual intent</b> causes the full gamut of the image to be compressed or expanded to fill the gamut of the destination device, so that grey balance is preserved but colourimetric accuracy may not be preserved.</p><p>In other words, if certain colours in an image fall outside of the range of colours that the output device can render, the image intent will cause all the colours in the image to be adjusted so that the every colour in the image falls within the range that can be rendered and so that the relationship between colours is preserved as much as possible.</p><p>This intent is most suitable for display of photographs and images, and is the default intent.</p></li><li><p><b>Absolute Colourimetric intent</b> causes any colours that fall outside the range that the output device can render to be adjusted to the closest colour that can be rendered, while all other colours are left unchanged.</p><p>This intent preserves the white point and is most suitable for spot colours (Pantone, TruMatch, logo colours, ....)</p></li><li><p><b>Relative Colourimetric intent</b> is defined such that any colours that fall outside the range that the output device can render are adjusted to the closest colour that can be rendered, while all other colours are left unchanged. Proof intent does not preserve the white point.</p></li><li><p><b>Saturation intent</b> preserves the saturation of colours in the image at the possible expense of hue and lightness.</p><p>Implementation of this intent remains somewhat problematic, and the ICC is still working on methods to achieve the desired effects.</p><p>This intent is most suitable for business graphics such as charts, where it is more important that the colours be vivid and contrast well with each other rather than a specific colour.</p></li></ul>

[ctx: @item: icc profile properties]
en: Color Space
en_GB: Colour Space

[ctx: @info: icc profile properties]
en: The color space used by the ICC profile
en_GB: The colour space used by the ICC profile

[ctx: @info: icc profile properties]
en: The ICC profile color management flags
en_GB: The ICC profile colour management flags

[ctx: @info: icc profile properties]
en: This area contains a CIE or chromaticity diagram.
    A CIE diagram is a representation of all the colors
    that a person with normal vision can see. This is represented
    by the colored sail-shaped area. In addition you will see a
    triangle that is superimposed on the diagram outlined in white.
    This triangle represents the outer boundaries of the color space
    of the device that is characterized by the inspected profile.
    This is called the device gamut.
    In addition there are black dots and yellow lines on the diagram.
    Each black dot represents one of the measurement points that were
    used to create this profile. The yellow line represents the
    amount that each point is corrected by the profile, and the
    direction of this correction.
en_GB: This area contains a CIE or chromaticity diagram.
    A CIE diagram is a representation of all the colours
    that a person with normal vision can see. This is represented
    by the coloured sail-shaped area. In addition you will see a
    triangle that is superimposed on the diagram outlined in white.
    This triangle represents the outer boundaries of the colour space
    of the device that is characterised by the inspected profile.
    This is called the device gamut.
    In addition there are black dots and yellow lines on the diagram.
    Each black dot represents one of the measurement points that were
    used to create this profile. The yellow line represents the
    amount that each point is corrected by the profile, and the
    direction of this correction.

[ctx: @title: icc profile properties]
en: ICC Color Profile Information
en_GB: ICC Colour Profile Information

[ctx: @info: icc profile color space]
en: GRAY
en_GB: GREY

[ctx: @info: icc profile class]
en: Color space
en_GB: Colour space

[ctx: @info: icc profile class]
en: Named color
en_GB: Named colour

[ctx: @info: icc profile redering]
en: Relative Colorimetric
en_GB: Relative Colourimetric

[ctx: @info: icc profile redering]
en: Absolute Colorimetric
en_GB: Absolute Colourimetric

[ctx: @title: file open dialog]
en: ICC color profile File to Save
en_GB: ICC colour profile File to Save

en: New OneDrive, Pinterrest, and Box export tools
en_GB: New OneDrive, Pinterest, and Box export tools

en: Color Management
en_GB: Colour Management

en: International Color Consortium Color Profile
en_GB: International Colour Consortium Colour Profile

[ctx: @info: color label selector]
en: Color Label: %1
en_GB: Colour Label: %1

[ctx: @title: color label menu]
en: Color
en_GB: Colour

[ctx: @info: country code]
en: Hebrew (Israel)
en_GB: Hebrew (Isræl)

en: Selected ui language %1 is not supported for %2
en_GB: Selected UI language %1 is not supported for %2

en: %1 URL can't be empty.
en_GB: %1 URL cannot be empty.

en: Error: Unable to parse autodetected language
en_GB: Error: Unable to parse auto-detected language

[ctx: @info]
en: <para>The translator engine is an online Web-service used to translate text from one language to another one. This feature is available on metadata option where alternative language is supported, as Title, Caption, etc. The translation process is fully automatized but it requires an Internet connection to work.</para><para>User can select the more appropriate translator engine depending of desired target language, as not all world-wide languages are supported by online Web-services.</para>
en_GB: <para>The translator engine is an online Web-service used to translate text from one language to another one. This feature is available on metadata option where alternative language is supported, as Title, Caption, etc. The translation process is fully automated but it requires an Internet connection to work.</para><para>User can select the more appropriate translator engine depending of desired target language, as not all world-wide languages are supported by online Web-services.</para>

[ctx: @info]
en: Open localize setup
en_GB: Open localise setup

[ctx: @info]
en: Enter the customized folder-view path or select from history
en_GB: Enter the customised folder-view path or select from history

en: <p>The ICC profile path seems to be invalid.</p><p>If you want to set it now, select "Yes", otherwise select "No". In this case, "Color Management" feature will be disabled until you solve this issue</p>
en_GB: <p>The ICC profile path seems to be invalid.</p><p>If you want to set it now, select "Yes", otherwise select "No". In this case, Colour Management features will be disabled until you solve this issue</p>

note: i18n: ectx: Menu (Color)
en: &Color
en_GB: &Colour

en: <qt>Editor Window Settings<br/><i>Customize editor window behavior</i></qt>
en_GB: <qt>Editor Window Settings<br/><i>Customise editor window behaviour</i></qt>

en: <qt>Thumbbar and Folder-View Items Tool-Tip Settings<br/><i>Customize information in tool-tips</i></qt>
en_GB: <qt>Thumbbar and Folder-View Items Tool-Tip Settings<br/><i>Customise information in tool-tips</i></qt>

en: <qt>RAW Files Decoding Settings<br/><i>Customize default RAW decoding settings</i></qt>
en_GB: <qt>RAW Files Decoding Settings<br/><i>Customise default RAW decoding settings</i></qt>

en: <qt>Settings for Color Management<br/><i>Customize color management settings</i></qt>
en_GB: <qt>Settings for Colour Management<br/><i>Customise colour management settings</i></qt>

en: <qt>Miscellaneous Settings<br/><i>Customize behavior of the other parts of Showfoto</i></qt>
en_GB: <qt>Miscellaneous Settings<br/><i>Customise behaviour of the other parts of Showfoto</i></qt>

[ctx: @title:tab]
en: Behavior
en_GB: Behaviour

en: Scroll current item to center of thumbbar
en_GB: Scroll current item to centre of thumbbar

en: Use native file dialogs from the system
en_GB: Use native file dialogues from the system

[ctx: @title:tab]
en: Localize
en_GB: Localise

en: Show camera mode and program
en_GB: Show camera mode and programme

en: Set this option to display the camera mode and program used to take the image.
en_GB: Set this option to display the camera mode and programme used to take the image.

[ctx: @title]
en: My Favorites
en_GB: My Favourites

[ctx: @title]
en: Favorite Folder Properties
en_GB: Favourite Folder Properties

[ctx: @title]
en: Favorite Item Properties
en_GB: Favourite Item Properties

[ctx: @info]
en: Enter favorite entry name here...
en_GB: Enter favourite entry name here...

[ctx: @info]
en: The favorite item name which must be unique and not empty
en_GB: The favourite item name which must be unique and not empty

[ctx: @info]
en: The favorite entry hierarchy which must be unique in tree-view
en_GB: The favourite entry hierarchy which must be unique in tree-view

[ctx: @item:inlistbox]
en: Favorite Folder
en_GB: Favourite Folder

[ctx: @item:inlistbox]
en: Favorite Item
en_GB: Favourite Item

[ctx: @info]
en: A "Favorite Item" is a hierarchy entry hosting advanced properties as date, icon, description, and images list. A "Favorite Folder" is a simple entry in the hierarchy without extra property.
en_GB: A "Favourite Item" is a hierarchy entry hosting advanced properties as date, icon, description, and images list. A "Favourite Folder" is a simple entry in the hierarchy without extra property.

[ctx: @info]
en: Enter favorite item description here...
en_GB: Enter favourite item description here...

[ctx: @info]
en: Select favorite item date. By default, day of item creation is assigned.
en_GB: Select favourite item date. By default, day of item creation is assigned.

[ctx: @info]
en: Select here the icon to use for this favorite item in tree-view.
en_GB: Select here the icon to use for this favourite item in tree-view.

[ctx: @info]
en: Assign favorite item icon to default in tree-view.
en_GB: Assign favourite item icon to default in tree-view.

[ctx: @info]
en: This is the list of files hosted by this favorite item. The current selected file from this list will be automatically shown in editor when favorite is open. If none is selected, first one from the list will be displayed.
en_GB: This is the list of files hosted by this favourite item. The current selected file from this list will be automatically shown in editor when favourite is open. If none is selected, first one from the list will be displayed.

[ctx: @label]
en: Note: favorite item name cannot be empty!
en_GB: Note: favourite item name cannot be empty!

[ctx: @label]
en: Note: favorite item files list cannot be empty!
en_GB: Note: favourite item files list cannot be empty!

[ctx: @label]
en: Note: favorite item name already exists in hierarchy!
en_GB: Note: favourite item name already exists in hierarchy!

[ctx: @label]
en: Note: favorite folder name cannot be empty!
en_GB: Note: favourite folder name cannot be empty!

[ctx: @label]
en: Note: favorite folder name already exists in hierarchy!
en_GB: Note: favourite folder name already exists in hierarchy!

[ctx: @title:window]
en: New Favorite Item
en_GB: New Favourite Item

[ctx: @title:window]
en: Edit Favorite Item
en_GB: Edit Favourite Item

[ctx: @title:window]
en: New Favorite Folder
en_GB: New Favourite Folder

[ctx: @title:window]
en: Edit Favorite Folder
en_GB: Edit Favourite Folder

[ctx: @info: favorite item properties]
en: Could not calculate date average for this favorite item.
en_GB: Could not calculate date average for this favourite item.

[ctx: @info]
en: You can add or remove favorite stacks here.
en_GB: You can add or remove favourite stacks here.

[ctx: @title]
en: Favorites
en_GB: Favourites

[ctx: @action]
en: Add Favorite
en_GB: Add Favourite

[ctx: @info: search text bar]
en: Search in Favorites...
en_GB: Search in Favourites...

[ctx: @action: context menu]
en: Add as Favorite
en_GB: Add as Favourite

en: Color depth (bits per channel)
en_GB: Colour depth (bits per channel)

en: Color model of the image
en_GB: Colour model of the image

en: White balance (color temperature)
en_GB: White balance (colour temperature)

en: Altitude in meters
en_GB: Altitude in metres

note: i18n: ectx: property (text), widget (QRadioButton, folderAware)
en: Folder aware numbering
en_GB: Folder-aware numbering

[ctx: @info:tooltip]
en: digiKam can search for faces in your photos.
    When you have identified your friends on a number of photos,
    it can also recognize the people shown on your photos.
en_GB: digiKam can search for faces in your photos.
    When you have identified your friends on a number of photos,
    it can also recognise the people shown on your photos.

[ctx: @label:listbox]
en: Clear all previous results and rescan
en_GB: Clear all previous results and re-scan

[ctx: @option:radio]
en: Detect and recognize faces
en_GB: Detect and recognise faces

[ctx: @info]
en: Find all faces in your photos and
    try to recognize which person is depicted
en_GB: Find all faces in your photos and
    try to recognise which person is depicted

[ctx: @option:radio]
en: Recognize faces
en_GB: Recognise faces

[ctx: @info]
en: Try again to recognize the people depicted
    on marked but yet unconfirmed faces.
en_GB: Try again to recognise the people depicted
    on marked but yet unconfirmed faces.

[ctx: @info:tooltip]
en: Adjust sensitivity versus specificity: the higher the value, the more accurately faces will
    be recognized, but less faces will be recognized
    (only faces that are very similar to pre-tagged faces are recognized).
en_GB: Adjust sensitivity versus specificity: the higher the value, the more accurately faces will
    be recognised, but less faces will be recognised
    (only faces that are very similar to pre-tagged faces are recognised).

en: <b>Configure Open File Behavior</b>
en_GB: <b>Configure Open File Behaviour</b>

en: <qt><p><i>Note:</i> using a preview is always faster than using the editor, especially when checking a series of shots. However, you cannot change or fix the image in preview mode. Note that if you want to compare images quickly, it is often better to use the light table: images can be displayed side-by-side, and synchronized zooming and panning can be performed.</p></qt>
en_GB: <qt><p><i>Note:</i> using a preview is always faster than using the editor, especially when checking a series of shots. However, you cannot change or fix the image in preview mode. Note that if you want to compare images quickly, it is often better to use the light table: images can be displayed side-by-side, and synchronised zooming and panning can be performed.</p></qt>

en: <b>Configure Preview Behavior</b>
en_GB: <b>Configure Preview Behaviour</b>

en: <qt><p>Congratulations. Your minimal setup is done.</p><p>Remember, you can customize more settings using the digiKam configuration panel. To learn more about the digiKam world, we recommend reading the <b>digiKam handbook</b> using the <b>Help/Handbook</b> menu entry (you need to install the separate digiKam documentation package.) You can also read the manual online from the <a href='https://docs.digikam.org/en/index.html'>dedicated website</a>.</p><p>Press <b>Finish</b> to close this assistant. digiKam will scan your collection to register all albums in the database. Items including in albums are collected after startup stage in background.</p><p><i>Note:</i> depending on your collection size, this operation can take a while. If you cancel the scanning operation, it will start again in the next digiKam session.</p><p>When scanning has completed, at next start-up, digiKam will only check your collection to identify new albums - which is much faster. You can force digiKam to scan for new items manually using the <b>Tools->Maintenance->Scan for new items</b> menu entry.</p></qt>
en_GB: <qt><p>Congratulations. Your minimal setup is done.</p><p>Remember, you can customise more settings using the digiKam configuration panel. To learn more about the digiKam world, we recommend reading the <b>digiKam handbook</b> using the <b>Help/Handbook</b> menu entry (you need to install the separate digiKam documentation package.) You can also read the manual online from the <a href='https://docs.digikam.org/en/index.html'>dedicated website</a>.</p><p>Press <b>Finish</b> to close this assistant. digiKam will scan your collection to register all albums in the database. Items including in albums are collected after startup stage in background.</p><p><i>Note:</i> depending on your collection size, this operation can take a while. If you cancel the scanning operation, it will start again in the next digiKam session.</p><p>When scanning has completed, at next start-up, digiKam will only check your collection to identify new albums - which is much faster. You can force digiKam to scan for new items manually using the <b>Tools->Maintenance->Scan for new items</b> menu entry.</p></qt>

en: <qt><p><i>Note:</i> tooltips show photograph and digiKam metadata on the fly, as the mouse moves over items. This can be useful when selecting items. Tooltips are displayed in the album folder view, album icon view, camera icon view, batch queue list, and thumb bar. From the digiKam configuration dialog, you can customize the contents of these tooltips and the fonts used.</p></qt>
en_GB: <qt><p><i>Note:</i> tooltips show photograph and digiKam metadata on the fly, as the mouse moves over items. This can be useful when selecting items. Tooltips are displayed in the album folder view, album icon view, camera icon view, batch queue list and thumb bar. From the digiKam configuration dialogue, you can customise the contents of these tooltips and the fonts used.</p></qt>

en: <qt><br/><p>You can ignore the following if you use digiKam for the first time:</p><p><b>Transition from digiKam 4</b></p><p>Configuration files from digiKam 4 are not migrated. The old database can still be used, you just need to choose the same locations for collections and database in the following dialogs. It is recommended to create a backup of your database before proceeding.</p><p>The new location for configuration files is %1 (old %2). There are unresolved problems reported when re-using old configuration files, so it is not recommended to do it for the moment, and at your own risk.</p></qt>
en_GB: <qt><br/><p>You can ignore the following if you use digiKam for the first time:</p><p><b>Transition from digiKam 4</b></p><p>Configuration files from digiKam 4 are not migrated. The old database can still be used, you just need to choose the same locations for collections and database in the following dialogues. It is recommended to create a backup of your database before proceeding.</p><p>The new location for configuration files is %1 (old %2). There are unresolved problems reported when re-using old configuration files, so it is not recommended to do it for the moment, and at your own risk.</p></qt>

en: Set here the brush color used to draw sketch.
en_GB: Set here the brush colour used to draw sketch.

[ctx: @title: track list header]
en: Color
en_GB: Colour

en: Color Profile Mismatch
en_GB: Colour Profile Mismatch

en: Missing Color Profile
en_GB: Missing Colour Profile

en: Image with Uncalibrated Color
en_GB: Image with Uncalibrated Colour

en: <p>This image has an <b>embedded color profile</b><br/> which does not match your working space color profile.<br/>How do you want to proceed?</p>
en_GB: <p>This image has an <b>embedded colour profile</b><br/> which does not match your working space colour profile.<br/>How do you want to proceed?</p>

en: <p>This image has <b>no information about the color space</b><br/>that was used when creating the image. <br/>How do you want to proceed?</p>
en_GB: <p>This image has <b>no information about the colour space</b><br/>that was used when creating the image. <br/>How do you want to proceed?</p>

en: <p>The color information of this image is uncalibrated.<br/>How do you want to proceed?</p>
en_GB: <p>The colour information of this image is uncalibrated.<br/>How do you want to proceed?</p>

en: Embedded Color Profile:
en_GB: Embedded Colour Profile:

en: Input Color Profile:
en_GB: Input Colour Profile:

en: Working Color Space:
en_GB: Working Colour Space:

en: Original Colors:
en_GB: Original Colours:

en: Uncorrected Colors:
en_GB: Uncorrected Colours:

en: Raw Colors:
en_GB: Raw Colours:

en: Resulting Colors:
en_GB: Resulting Colours:

en: Corrected Colors:
en_GB: Corrected Colours:

en: Convert to working color space
en_GB: Convert to working colour space

en: Assign profile and convert to working color space
en_GB: Assign profile and convert to working colour space

en: Assign and keep color profile
en_GB: Assign and keep colour profile

en: Leave the file untagged, do not color manage
en_GB: Leave the file untagged, do not colour manage

en: Which color space shall be used to interpret the colors of this image?
en_GB: Which colour space shall be used to interpret the colours of this image?

en: Current working color space
en_GB: Current working colour space

en: Please select the input color profile of the device (camera) used to create this image:
en_GB: Please select the input colour profile of the device (camera) used to create this image:

en: Assigned Color Profile:
en_GB: Assigned Colour Profile:

en: Enable soft-proofing color managed view
en_GB: Enable soft-proofing colour managed view

en: Disable soft-proofing color managed view
en_GB: Disable soft-proofing colour managed view

en: Highlight out-of-gamut colors
en_GB: Highlight out-of-gamut colours

en: Highlighting color:
en_GB: Highlighting colour:

en: Set here the color used to draw dashed guide lines.
en_GB: Set here the colour used to draw dashed guide lines.

[ctx: @action]
en: Color-Managed View
en_GB: Colour-Managed View

[ctx: @info]
en: Cannot open the specified working space profile ("%1"). No color transformation will be applied. Please check the color management configuration in digiKam's setup.
en_GB: Cannot open the specified working space profile ("%1"). No colour transformation will be applied. Please check the colour management configuration in digiKam's setup.

[ctx: @info]
en: Color-Managed View is enabled.
en_GB: Colour-Managed View is enabled.

[ctx: @info]
en: Color-Managed View is disabled.
en_GB: Colour-Managed View is disabled.

[ctx: @info]
en: Color Management is not configured, so the Color-Managed View is not available.
en_GB: Colour Management is not configured, so the Colour-Managed View is not available.

[ctx: @title Image Colors]
en: Colors
en_GB: Colours

en: Move to Trash without Confirmation
en_GB: Move to Wastebin without Confirmation

[ctx: @info:status]
en: Canceling current operation, please wait...
en_GB: Cancelling current operation, please wait...

[ctx: @info]
en: Do you want to close the dialog and cancel the current operation?
en_GB: Do you want to close the dialogue and cancel the current operation?

[ctx: @info]
en: Collection which host your default target album set to process download from camera device is not available. Please select another one from camera configuration dialog.
en_GB: Collection which host your default target album set to process download from camera device is not available. Please select another one from camera configuration dialogue.

[ctx: @info]
en: Your default target album set to process download from camera device is not available. Please select another one from camera configuration dialog.
en_GB: Your default target album set to process download from camera device is not available. Please select another one from camera configuration dialogue.

[ctx: @info]
en: <p>These expressions may be used to customize date format:</p><p><b>d</b>: The day as a number without a leading zero (1 to 31)</p><p><b>dd</b>: The day as a number with a leading zero (01 to 31)</p><p><b>ddd</b>: The abbreviated localized day name (e.g. 'Mon' to 'Sun')</p><p><b>dddd</b>: The long localized day name (e.g. 'Monday' to 'Sunday').</p><p><b>M</b>: The month as a number without a leading zero (1 to 12)</p><p><b>MM</b>: The month as a number with a leading zero (01 to 12)</p><p><b>MMM</b>: The abbreviated localized month name (e.g. 'Jan' to 'Dec')</p><p><b>MMMM</b>: The long localized month name (e.g. 'January' to 'December')</p><p><b>yy</b>: The year as two digit number (eg. 00 to 99)</p><p><b>yyyy</b>: The year as four digit number (eg. 2012)</p><p>All other input characters will be treated as text. Any sequence of characters that are enclosed in singlequotes will be treated as text and not be used as an expression. Examples, if date is 20 July 1969:</p><p><b>dd.MM.yyyy</b> : 20.07.1969</p><p><b>ddd MMMM d yy</b> : Sun July 20 69</p><p><b>'Photo shot on ' dddd</b> : Photo shot on Sunday</p>
en_GB: <p>These expressions may be used to customise date format:</p><p><b>d</b>: The day as a number without a leading zero (1 to 31)</p><p><b>dd</b>: The day as a number with a leading zero (01 to 31)</p><p><b>ddd</b>: The abbreviated localised day name (e.g. 'Mon' to 'Sun')</p><p><b>dddd</b>: The long localised day name (e.g. 'Monday' to 'Sunday').</p><p><b>M</b>: The month as a number without a leading zero (1 to 12)</p><p><b>MM</b>: The month as a number with a leading zero (01 to 12)</p><p><b>MMM</b>: The abbreviated localised month name (e.g. 'Jan' to 'Dec')</p><p><b>MMMM</b>: The long localised month name (e.g. 'January' to 'December')</p><p><b>yy</b>: The year as two digit number (eg. 00 to 99)</p><p><b>yyyy</b>: The year as four digit number (eg. 2012)</p><p>All other input characters will be treated as text. Any sequence of characters that are enclosed in single quotes will be treated as text and not be used as an expression. Examples, if date is 20 July 1969:</p><p><b>dd.MM.yyyy</b> : 20.07.1969</p><p><b>ddd MMMM d yy</b> : Sun July 20 69</p><p><b>'Photo shot on ' dddd</b> : Photo shot on Sunday</p>

[ctx: @info]
en: Select your preferred date format used to
    create new albums. The options available are:
    "ISO": the date format is in accordance with ISO 8601
    (YYYY-MM-DD). E.g.: 2006-08-24
    "Full Text": the date format is in a user-readable string.
    E.g.: Thu Aug 24 2006
    "Local Settings": the date format depending on KDE control panel settings.
    "Custom": use a customized format for date.
en_GB: Select your preferred date format used to
    create new albums. The options available are:
    "ISO": the date format is in accordance with ISO 8601
    (YYYY-MM-DD). E.g.: 2006-08-24
    "Full Text": the date format is in a user-readable string.
    E.g.: Thu Aug 24 2006
    "Local Settings": the date format depending on KDE control panel settings.
    "Custom": use a customised format for date.

[ctx: @info]
en: Show the result of converted date 1968-12-26 using your customized format.
en_GB: Show the result of converted date 1968-12-26 using your customised format.

[ctx: Custom Image Renaming]
en: Customize
en_GB: Customise

en: <p>These expressions may be used to customize the command line:</p><p><b>%file</b>: full path of the imported file</p><p><b>%filename</b>: file name of the imported file</p><p><b>%path</b>: path of the imported file</p><p><b>%orgfilename</b>: original file name</p><p><b>%orgpath</b>: original path</p><p>If there are no expressions full path is added to the command.</p>
en_GB: <p>These expressions may be used to customise the command line:</p><p><b>%file</b>: full path of the imported file</p><p><b>%filename</b>: file name of the imported file</p><p><b>%path</b>: path of the imported file</p><p><b>%orgfilename</b>: original file name</p><p><b>%orgpath</b>: original path</p><p>If there are no expressions full path is added to the command.</p>

[ctx: Non-pluralized]
en: Move to Trash
en_GB: Move to Wastebin

en: Synchronize
en_GB: Synchronise

en: Synchronize preview from left and right panels
en_GB: Synchronise preview from left and right panels

en: Color-Managed View
en_GB: Colour-Managed View

en: cleaning core db
en_GB: cleaning core DB

en: cleaning thumbnails db
en_GB: cleaning thumbnails DB

en: cleaning recognition db
en_GB: cleaning recognition DB

en: cleaning similarity db
en_GB: cleaning similarity DB

en: Similarity range (in percents):
en_GB: Similarity range (in percent):

en: Detect and recognize Faces
en_GB: Detect and recognise Faces

en: Synchronizing image metadata with database
en_GB: Synchronising image metadata with database

[ctx: @title: tool group]
en: Colors
en_GB: Colours

en: Customize filenames:
en_GB: Customise filenames:

en: Behavior
en_GB: Behaviour

[ctx: @title: color tools category]
en: Color
en_GB: Colour

en: This is the list of your customized workflow settings.
en_GB: This is the list of your customised workflow settings.

en: any color depth
en_GB: any colour depth

en: Digitization
en_GB: Digitisation

en: Return items digitized between
en_GB: Return items digitised between

en: Color Depth
en_GB: Colour Depth

en: Color Model
en_GB: Colour Model

en: Find items with the color model
en_GB: Find items with the colour model

en: Color temperature used for white balance
en_GB: Colour temperature used for white balance

en: Show digiKam color &label
en_GB: Show digiKam colour &label

en: Set this option to show the digiKam color label as a border around the thumbnail.
en_GB: Set this option to show the digiKam colour label as a border around the thumbnail.

en: Uncheck this if you do not want to convert a 16 bits preview image to 8 bits.
en_GB: Untick this if you do not want to convert a 16 bits preview image to 8 bits.

en: Uncheck this if you do not want to scale small images to fit to window.
en_GB: Untick this if you do not want to scale small images to fit to window.

en: Uncheck this if you do not want to see icons and text in the image preview.
en_GB: Untick this if you do not want to see icons and text in the image preview.

en: <p>Add new file types to show as album items.</p><p>digiKam attempts to support all of the image formats that digital cameras produce, while being able to handle a few other important video and audio formats.</p> <p>You can add to the already-appreciable list of formats that digiKam handles by adding the extension of the type you want to add. Multiple extensions need to be separated by a semicolon or space.</p><p><b><u>Note:</u> changes done in this view will perform a database rescan in the background.</b></p>
en_GB: <p>Add new file types to show as album items.</p><p>digiKam attempts to support all of the image formats that digital cameras produce, while being able to handle a few other important video and audio formats.</p> <p>You can add to the already appreciable list of formats that digiKam handles by adding the extension of the type you want to add. Multiple extensions need to be separated by a semicolon or space.</p><p><b><u>Note:</u> changes done in this view will perform a database rescan in the background.</b></p>

en: <p>Files with these extensions will be recognized as images and included into the database:<br/> <code>%1</code></p>
en_GB: <p>Files with these extensions will be recognised as images and included into the database:<br/> <code>%1</code></p>

en: <p>Files with these extensions will be recognized as video files and included into the database:<br/> <code>%1</code></p>
en_GB: <p>Files with these extensions will be recognised as video files and included into the database:<br/> <code>%1</code></p>

en: <p>Files with these extensions will be recognized as audio files and included into the database:<br/> <code>%1</code></p>
en_GB: <p>Files with these extensions will be recognised as audio files and included into the database:<br/> <code>%1</code></p>

en: Here you can see filters that can be used to filter files in import dialog.
en_GB: Here you can see filters that can be used to filter files in import dialogue.

en: &Use theme background color
en_GB: &Use theme background colour

en: Enable this option to use the background theme color in the image editor area.
en_GB: Enable this option to use the background theme colour in the image editor area.

en: &Background color:
en_GB: &Background colour:

en: Customize the background color to use in the image editor area.
en_GB: Customise the background colour to use in the image editor area.

en: &Under-exposure color:
en_GB: &Under-exposure colour:

en: Customize color used in image editor to identify under-exposed pixels.
en_GB: Customise colour used in image editor to identify under-exposed pixels.

en: &Over-exposure color:
en_GB: &Over-exposure colour:

en: Customize color used in image editor to identify over-exposed pixels.
en_GB: Customise colour used in image editor to identify over-exposed pixels.

en: Adjust the percents of the top of image histogram which will be used to check over exposed pixels.
en_GB: Adjust the percentage at the top of image histogram which will be used to check over exposed pixels.

en: Indicate exposure as pure color
en_GB: Indicate exposure as pure colour

en: If this option is enabled, over- and under-exposure indicators will be displayed only when pure white and pure black color matches, as all color components match the condition in the same time. Otherwise, indicators are turned on when one of the color components matches the condition.
en_GB: If this option is enabled, over- and under-exposure indicators will be displayed only when pure white and pure black colour matches, as all colour components match the condition in the same time. Otherwise, indicators are turned on when one of the colour components matches the condition.

en: Show Settings Dialog when Saving Image Files
en_GB: Show Settings Dialogue when Saving Image Files

en: <ul><li>Checked: A dialog where settings can be changed when saving image files</li><li>Unchecked: Default settings are used when saving image files</li></ul>
en_GB: <ul><li>Ticked: A dialogue where settings can be changed when saving image files</li><li>Unticked: Default settings are used when saving image files</li></ul>

[ctx: @option:radio Open raw files...]
en: Always open the Raw Import Tool to customize settings
en_GB: Always open the Raw Import Tool to customise settings

[ctx: @title:tab]
en: RAW Behavior
en_GB: RAW Behaviour

[ctx: @info]
en: Switching off exif auto rotation will most probably show your images in a wrong orientation, so only change this option if you explicitly require this.
en_GB: Switching off EXIF auto rotation will most probably show your images in a wrong orientation, so only change this option if you explicitly require this.

[ctx: @info]
en: provides the basis to handle all kinds of metadata on the KDE desktop in a generic fashion. It allows you to tag, rate and comment your files in KDE applications like Dolphin. Please set here if you want to synchronize the metadata stored by digiKam desktop-wide with the Baloo Desktop Search.
en_GB: provides the basis to handle all kinds of metadata on the KDE desktop in a generic fashion. It allows you to tag, rate and comment your files in KDE applications like Dolphin. Please set here if you want to synchronise the metadata stored by digiKam desktop-wide with the Baloo Desktop Search.

[ctx: @option:check]
en: Color label
en_GB: Colour label

[ctx: @info:whatsthis]
en: Turn on this option to store the item color label in the XMP tags.
en_GB: Turn on this option to store the item colour label in the XMP tags.

[ctx: @info:whatsthis]
en: Turn on this option to write metadata to files with ExifTool backend instead Exiv2. This will slowdown a little bit the synchronization of files metadata with database.
en_GB: Turn on this option to write metadata to files with ExifTool backend instead Exiv2. This will slowdown a little bit the synchronisation of files metadata with database.

[ctx: @option:check]
en: Use lazy synchronization
en_GB: Use lazy synchronisation

[ctx: @info:whatsthis]
en: Instead of synchronizing metadata, just schedule it for synchronization.Synchronization can be done later by triggering the apply pending, or at digikam exit
en_GB: Instead of synchronising metadata, just schedule it for synchronisation.Synchronisation can be done later by triggering the apply pending, or at digikam exit

[ctx: @info:whatsthis]
en: For some file formats which apply lossy compression, data will be lost each time the content is rotated. Check this option to allow lossy rotation. If not enabled, these files will be rotated by flag.
en_GB: For some file formats which apply lossy compression, data will be lost each time the content is rotated. Tick this option to allow lossy rotation. If not enabled, these files will be rotated by flag.

en: Confirm when moving items to the &trash
en_GB: Confirm when moving items to the was&tebin

en: Set this option to force digiKam to clean up the core database from obsolete item entries.
    Entries are only deleted if the connected image/video/audio file was already removed, i.e.
    the database object wastes space.
    This option does not clean up other databases as the thumbnails or recognition db.
    For clean up routines for other databases, please use the maintenance.
en_GB: Set this option to force digiKam to clean up the core database from obsolete item entries.
    Entries are only deleted if the connected image/video/audio file was already removed, i.e.
    the database object wastes space.
    This option does not clean up other databases as the thumbnails or recognition DB.
    For clean up routines for other databases, please use the maintenance.

en: Use native file dialogs from system
en_GB: Use native file dialogues from system

[ctx: @title]
en: Database Settings
    Customize database settings
en_GB: Database Settings
    Customise database settings

[ctx: @title]
en: Application Views Settings
    Customize the look of the views
en_GB: Application Views Settings
    Customise the look of the views

[ctx: @title]
en: Items Tool-Tip Settings
    Customize information in item tool-tips
en_GB: Items Tool-Tip Settings
    Customise information in item tool-tips

[ctx: @title]
en: Image Editor Settings
    Customize the image editor settings
en_GB: Image Editor Settings
    Customise the image editor settings

[ctx: @title: settings section]
en: Color Management
en_GB: Colour Management

[ctx: @title]
en: Settings for Color Management
    Customize the color management settings
en_GB: Settings for Colour Management
    Customise the colour management settings

[ctx: @title]
en: Image Quality Sorter Settings
    Customize default settings to perform image triaging by quality
en_GB: Image Quality Sorter Settings
    Customise default settings to perform image triaging by quality

[ctx: @title]
en: Miscellaneous Settings
    Customize behavior of the other parts of digiKam
en_GB: Miscellaneous Settings
    Customise behaviour of the other parts of digiKam

en: Enable Color Management
en_GB: Enable Colour Management

en: <ul><li>Checked: Color Management is enabled</li><li>Unchecked: Color Management is disabled</li></ul>
en_GB: <ul><li>Ticked: Colour Management is enabled</li><li>Unticked: Colour Management is disabled</li></ul>

en: Working Color Space
en_GB: Working Colour Space

en: <p>This is the color space all the images will be converted to when opened (if you choose to convert) and the profile that will be embedded when saving. Good and safe choices are <b>Adobe RGB (1998)</b> and <b>sRGB IEC61966-2.1</b></p>
en_GB: <p>This is the colour space all the images will be converted to when opened (if you choose to convert) and the profile that will be embedded when saving. Good and safe choices are <b>Adobe RGB (1998)</b> and <b>sRGB IEC61966-2.1</b></p>

en: When the profile of an image does not match the working color space
en_GB: When the profile of an image does not match the working colour space

en: <p>If an image has an embedded color profile not matching the working space profile, digiKam will ask if you want to convert to the working space, keep the embedded profile or discard the embedded profile and assign a different one.</p>
en_GB: <p>If an image has an embedded colour profile not matching the working space profile, digiKam will ask if you want to convert to the working space, keep the embedded profile or discard the embedded profile and assign a different one.</p>

en: Convert the image to the working color space
en_GB: Convert the image to the working colour space

en: <p>If an image has an embedded color profile not matching the working space profile, digiKam will convert the image's color information to the working color space. This changes the pixel data, but not the appearance of the image.</p>
en_GB: <p>If an image has an embedded colour profile not matching the working space profile, digiKam will convert the image's colour information to the working colour space. This changes the pixel data, but not the appearance of the image.</p>

en: When an image has no color profile information
en_GB: When an image has no colour profile information

en: <p>If an image has no embedded color profile, digiKam will ask which color space shall be used to interpret the image and to which color space it shall be transformed for editing.</p>
en_GB: <p>If an image has no embedded colour profile, digiKam will ask which colour space shall be used to interpret the image and to which colour space it shall be transformed for editing.</p>

en: Assume it is using the sRGB color space (Internet standard)
en_GB: Assume it is using the sRGB colour space (Internet standard)

note: i18n("<p></p>"));
en: and convert it to the working color space
en_GB: and convert it to the working colour space

en: Assume it is using the working color space
en_GB: Assume it is using the working colour space

note: i18n("<p></p>"));
en: Convert it from default input color space to working space
en_GB: Convert it from default input colour space to working space

en: When loading a RAW file with uncalibrated colors
en_GB: When loading a RAW file with uncalibrated colours

note: i18n("<p></p>"));
en: Automatic color correction
en_GB: Automatic colour correction

en: Color Managed View
en_GB: Colour Managed View

en: <p>Select the color profile for your monitor here.</p>
en_GB: <p>Select the colour profile for your monitor here.</p>

en: Use color managed view in editor
en_GB: Use colour managed view in editor

en: <p>Turn on this option if you want to use your <b>Monitor Color Profile</b> to show your pictures in the Image Editor window with a color correction adapted to your monitor. You can at any time toggle this option from the Editor window. <i>Warning</i>: This can slow down rendering of the image, depending on the speed of your computer.</p>
en_GB: <p>Turn on this option if you want to use your <b>Monitor Colour Profile</b> to show your pictures in the Image Editor window with a colour correction adapted to your monitor. You can at any time toggle this option from the Editor window. <i>Warning</i>: This can slow down rendering of the image, depending on the speed of your computer.</p>

en: Use color managed view for previews and thumbnails
en_GB: Use colour managed view for previews and thumbnails

en: Default input color profile:
en_GB: Default input colour profile:

en: <p>This is the default color profile for your input device (that is your camera - or your scanner). A camera input profile is recommended for correct conversion of RAW images in 16bit. Some of the options about loading behavior above refer to this profile.</p>
en_GB: <p>This is the default colour profile for your input device (that is your camera - or your scanner). A camera input profile is recommended for correct conversion of RAW images in 16bit. Some of the options about loading behaviour above refer to this profile.</p>

en: Color Profiles Repository
en_GB: Colour Profiles Repository

en: <p>digiKam searches ICC profiles in default system folders and ships itself a few selected profiles. Store all your additional color profiles in the directory set here.</p>
en_GB: <p>digiKam searches ICC profiles in default system folders and ships itself a few selected profiles. Store all your additional colour profiles in the directory set here.</p>

[ctx: @title: icc panel tab]
en: Behavior
en_GB: Behaviour

en: Synchronize panels automatically
en_GB: Synchronise panels automatically

en: Set this option to automatically synchronize zooming and panning between left and right panels if the images have the same size.
en_GB: Set this option to automatically synchronise zooming and panning between left and right panels if the images have the same size.

en: Set this option to display the image pick, color, rating labels.
en_GB: Set this option to display the image pick, colour, rating labels.

en: Note: these settings require "Use File Metadata" option from Camera Setup Behavior page.
en_GB: Note: these settings require "Use File Metadata" option from Camera Setup Behaviour page.
